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From “Romanticisms”

Mortal oddment, there’ s no wish in the blood
But beat, but stay gift-strong, but make demands
To keep within veins this ore’ s diffuse gold,
These voices that know without being known —
These voices that riddle thought with herself,
Ridicule thought in her flimsy eternal
Gowns a child can tear in half   with a breath —
That chorus arterial, unbribable,
Blowing song through self as a child blows
A dandelion apart —
All those weeds? —

My Soul

In the suburbs on a bike path that in
any other age would be a road roughed
halfway through some dark wood’ s listening heart

two damp young men in suits sucked dry of light
walk stiffly and uncertain round a bend
in each left hand the black box of a book

They see me then spread out to fill the way
as sun blares down and dry May wind slaps
cheap loose plastic cloth against their shins

The thinner taller blond one greets me in
an earnest tone these days not often heard
and when I do not take his offered hand

Notes for an Elegy

The alternative to flying is cowardice,
And what is said against it excuses, excuses;
Its want was always heavy in those men’ s bodies
Who foresaw it in some detail; and failing that,
The rest were shown through its skyey heats and eases
In sleep, awoke uncertain whether their waking cry
Had been falling fear only, or love and falling fear.
When the sudden way was shown, its possibility
In terms of the familiar at last shown,
(How absurdly simple the principle after all!)
Any tyrant should have sensed it was controversial:

The Summer Bower

It is a place whither I’ ve often gone
For peace, and found it, secret, hushed, and cool,
A beautiful recess in neighboring woods.
Trees of the soberest hues, thick-leaved and tall,
Arch it o’ erhead and column it around,
Framing a covert, natural and wild,
Domelike and dim; though nowhere so enclosed
But that the gentlest breezes reach the spot
Unwearied and unweakened. Sound is here
A transient and unfrequent visitor;
Yet if the day be calm, not often then,
Whilst the high pines in one another’ s arms

All Afternoon

All afternoon the shadows have been building
A city of their own within the streets,
Carefully correcting the perspectives
With dark diagonals, and paring back
Sidewalks into catwalks, strips of bright
Companionways, as if it were a ship
This counter-city. But the leaning, black
Enjambements like ladders for assault
Scale the façade and tie them to the earth,
Confounding fire-escapes already meshed
In slatted ambiguities. You touch
The sliding shapes to find which place is which

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