Free Verse

At Sunset

Your death must be loved this much.

You have to know the grief — now.
Standing by the water’ s edge,

looking down at the wave

touching you. You have to lie,
stiff, arms folded, on a heap of earth

and see how far the darkness

will take you. I mean it, this, now —
before the ghost the cold leaves

in your breath, rises;

before the toes are put together
inside the shoes. There it is — the goddamn

orange-going-into-rose descending

circle of beauty and time.
You have nothing to be sad about.

Jacksonville, Vermont

Because I am not married, I have the skin of an orange

that has spent its life in the dark. Inside the orange I am blind.
I cannot tell when a hand reaches in and breaks

the atoms of the blood. Sometimes a blackbird will bring the wind

into my hair. Or the yellow clouds falling on the cold floor
are animals fighting each other

out of their drifting misery. All the women I have known

have been ruined by fog and the deer crossing the field at night.

graduate school first semester: so here I am writing about Indians again

thanks for bringing that
to our attention
she said the first time
to my response to a history text
about a famous painting
of the Battle of Quebec
that never mentioned the French
and only mentioned Indians twice,
once as nuisances, once
as the noble savage
kneeling by the dying
English general

Advice from La Llorona

Each grief has its unique side.
Choose the one that appeals to you.
Go gently.
Your body needs energy to repair the amputation.
Humor phantom pain.

Your brain cells are soaked with salt;
connections fail unexpectedly and often.
Ask for help.
Accept help.

Read your grief like the daily newspaper:
headlines may have information you need.
Scream. Drop-kick the garbage can across the street.

Old Territory. New Maps.

You plan an uncomplicated path
through Colorado’ s red dust,
around the caustic edge of Utah’ s salt flats
a single night at a hotel
in the Idaho panhandle. Our plans change.
It’ s spring, we are two Indian women along
together and the days open:
sunrise on a fine long road,
antelope against dry hills,
heron emerging from dim fields.
You tell me this is a journey
you’ ve always wanted to take.
You ask me to tell you what I want.

November Becomes the Sky With Suppers for the Dead

I am standing outside
in Minnesota
ghost wind recalling
names in winter mist

The road smells
of dogs two days dead

White photographers talk in
the house of mainstream
media

I can’ t articulate
the agony of Eagle Singer’ s
children to them.

When Names Escaped Us

The boy painted himself white and ran into the darkness.

We let the words “he may be dead, bury him,”
bury him.

We took his clothes to the rummage sale
in the basement of the mission
We put his photographs and drawings
in a birdcage and covered it with a starquilt.

For four nights voices carried clear to the river.

After winter so many storms moved in
strangers came among us
They danced
They shoveled in the shadows of trees

Then, somehow we all felt
all of us were of this one boy.

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