greetings
as the door opened
ticking
please listen to this
food alone for all
the f. b. i. will continue
maybe you dozed off
i hung by that phone all night
suppose he talks
*
vida
later
aria
*
once upon a time
not looking for any thing
*
you’ re on
your own
it’ s off
it’ s on
*
perhaps it means
ragged like that
golda my-yeer
pre-meer
*
and pour the old box
down a drain
*
The laughing gull that flew behind the fencepost
and never came out was the beginning
and then a hand smaller than my hand covered Wisconsin
with a gesture for explanation.
In the afternoon there are pauses between the words
through which commas can grow like daisy fleabane.
A fish with an osprey in its back emerges from the Sound
and nothing can be learned by more analysis.
The book of her hair opens to its binding and I leaf through
the glorious pages of appreciation and that’ s not all.
I have a word for it —
the way the surface waited all day
to be a silvery pause between sky and city —
which is elver.
And another one for how
the bay shelved cirrus clouds
piled up at the edge of the Irish Sea,
which is elver too.
The old Blackrock baths
have been neglected now for fifty years,
fine cracks in the tiles
visible as they never were when
I can I can I can
shouted Harry Vernon as
he dived from the highest board
curving down into salt and urine
one comes to language from afar, the ear
fears for its sound-barriers —
but one “comes”; the language “comes” for
The Beckoning Fair One
plant you now, dig you
later, the plaint stirs winter
earth…
air in a hornet’ s nest
over the water makes a
solid, six-sided music…
a few utterly quiet scenes, things
are very far away — “form
is emptiness”
comely, comely, love trembles
and the sweet-shrub
Only open homes & woods & pansies’ blue ledges
can lead the zero with his only arms
to embrace himself in open fields for all to gape upon.
He unbuttons steel-gray sheets, a knotted top coat,
bares himself, his hole, a vision
as framed by the marker that is
where
his body blew and left enclosure intact,
skeletal innards
enough to make moviegoers ask,
“Has anyone finished themselves yet?”
I haven’ t. I swim the lagoon, take note:
the babies are barely dirty,
their armpits smooth with silky soot
This early the garden’ s bare
but people pay to walk it,
at plots of budless brush
stop, as if remembering,
and stoop to mouth the names —
araucaria
araucana, monkey
puzzle tree, something
Japanese — each particular
ridiculous to be.
1
As so-called quarks, so atoms before and through
And after molecules, which too
Constitute us awhile, pluming
Through our slowly changing shapes
Like beachscapes
Through a duneless sandglass, say
(I said, once) — all these
So utterly forgetful, wiped clean
As numbers with each new use, lint-free.
How not so words, which pass our minds
And mouths and ears from hind-
Most elsewhere, on their way to elsewhere — why
for my love, Charles (1938-2000)
Say: 言
The fallen Latte is the sign. It is from within the row of Latte that
we feel our strength. It is the severed capstone that gives us Their
message, "Ti monhayon I che'cho." We will not rest until the
Latte is whole.
— Cecilia C. T. Perez from "Signs of Being: A Chamoru
Spiritual Journey" (1997)
~
i haligi
a pillar
i tasa
a capstone
i tataotao
a body
~
his hands —
husk coconut —
cooks and
feeds [us] —
stories — this
raised house —
at quarry
outline forms
He is for a long time bleating the embassy collection:
(water-resistant cot,
a resurgent stretch of storefronts to dive into,
compadre, col legno, funding the new permits, pleasing
room, murderous rain.
Near-spring night, stars on flat blackboards, essay estate
questions passed person to person.
The lottery window
I turn red past,
hyacinth-lanced dawn.
In green tree talk
the transcriber dons a dark robe, a mirror.
