They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.
Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.
I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred —
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It's like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
I got in the shower
and burned my balls
last Wednesday.
met this painter called Spain,
no, he was a cartoonist,
well, I met him at a party
and everybody got mad at me
because I didn’ t know who he was
or what he did.
They sit together on the porch, the dark
Almost fallen, the house behind them dark.
Their supper done with, they have washed and dried
The dishes – only two plates now, two glasses,
Two knives, two forks, two spoons – small work for two.
She sits with her hands folded in her lap,
At rest. He smokes his pipe. They do not speak,
And when they speak at last it is to say
What each one knows the other knows. They have
One mind between them, now, that finally
For all its knowing will not exactly know
a labyrinth,
as if at its center,
god would be there —
but at the center, only rose,
where rose came from,
where rose grows —
& us, inside of the lips & lips:
the likenesses, the eyes, & the hair,
we are born of,
fed by, & marry with,
only flesh itself, only its passage
— out of where? to where?
Then god the mother said to Jim, in a dream,
Never mind you, Jim,
come rest again on the country porch of my knees.
Of all that God has shown me
I can speak just the smallest word,
Nor more than a honey bee
Takes on his foot
From an overspilling jar.
Behold the rocky wall
That down its sloping sides
Pours the swift rain-drops, blending, as they fall,
In rushing river-tides!
Yon stream, whose sources run
Turned by a pebble’ s edge,
Is Athabasca, rolling toward the sun
Through the cleft mountain-ledge.
With what deep murmurs through time’ s silent stealth
Doth thy transparent, cool, and wat’ ry wealth
Here flowing fall,
And chide, and call,
As if his liquid, loose retinue stay’ d
Ling’ ring, and were of this steep place afraid;
The common pass
Where, clear as glass,
All must descend
Not to an end,
But quicken’ d by this deep and rocky grave,
I
1
Pearl, the precious prize of a king,
Chastely set in cherished gold,
In all the East none equalling,
No peer to her could I behold.
So round, so rare, a radiant thing,
So smooth she was, so small of mold,
Wherever I judged gems glimmering
I set her apart, her price untold.
Alas, I lost her in earth’ s green fold;
Through grass to the ground, I searched in vain.
I languish alone; my heart grows cold
For my precious pearl without a stain.
2
All day she stands before her loom;
The flying shuttles come and go:
By grassy fields, and trees in bloom,
She sees the winding river flow:
And fancy’ s shuttle flieth wide,
And faster than the waters glide.
