Transplanting
1. X-Ray
1. X-Ray
The snow voids the distance of the road
and the first breath comes from the early morning
ghosts. The sparrows with their hard eyes
glisten in the difficult light. They preen
their feathers and chirp. It’ s as though they were one
voice talking to God.
Mornings are a sustained hymn
without the precision of faith. You’ ve turned the bag
filled with molding bread inside out and watch
the old crusts fall to the ice. What’ s left
The wind shakes the chimes
into the siding, and the dog shakes too
though he doesn’ t wake you
as I carry you to the bedroom. Small mouth
sipping breath, you are fish-strange,
bejeweled in the dimness of the microwave’ s
nightlight. As I turn my back to the bulb
I make your form in my arms a dark weight
but you are no anchor. Together
we are sloops trailing a tiny wake in the carpet.
In the dark it’ s hard to navigate the furniture
so I count distance — five paces
from the tile to the sofa. From the sofa,
In the lull, the afternoon sun warms
the linseed field. The flowers are quiet,
their bright subdued in the green
while the mind wanders
to the emerald mosque upon the hill,
built around a flowing spring,
the easy absolutions and ablutions
in that mosque where the spring water
has been let loose to meander
over marble courtyards and inner chambers,
across the geometric, green-tiled floor that
cools the heels of the faithful.
i. the positing of space, corporeal history
medium of my body
bent to narrow rivers,
touching of the touch
commits
totem to shape:
jasmine buds,
water poppies open as the mouth.
Propolis and juniper oil
resinous viscera
embowered in trees,
as the meat
within the shell
as the shell before the caw
a bleached weed
a fig
dusted to sweet the skin
egg albumen of peacock
butterfly
held to the ivory of oxen hoof
pulling
the space
between sins I am
as I am so
I
Under the makeshift arbor of leaves
a hot wind blowing smoke and laughter.
Music out of the renegade west,
too harsh and loud, many dark faces
moved among the sweating whites.
II
Wandering apart from the others,
I found an old Indian seated alone
on a bench in the flickering shade.
He was holding a dented bucket;
three crayfish, lifting themselves
from the muddy water, stirred
and scraped against the greasy metal.
I
In the moonlight,
in the heavy snow,
I was hunting along
the sunken road
and heard behind me
the quiet step
and smothered whimper
of something following...
Ah, tree of panic
I climbed
to escape the night,
as the furry body glided
beneath, lynx with
steady gaze, and began
the slow ascent.
II
And dark blue foxes
climbed beside me with
famished eyes that
glowed in the shadows;
She came to see the bones
whiten in a summer,
and one year later a narrow
mummy with a dusty skin
and flaking scales
would break apart in her hand.
She wanted to see if sunlight
still glinted in those eyes,
to know what it lighted
from a window on the mallow roots,
leaf mold and fallen casques.
And to ask if a single tongue,
one forked flicker in the dark,
had found any heat in death:
in the closed space and chill
of that burial, what speech,
what sign would there be.
The forest is the only place
where green is green and blue is blue.
Walking the forest I have seen
most everything. I’ ve seen a you
with yellow eyes and busted wing.
And deep in the forest, no one knew.