Realistic & Complicated

When Father Decided He Did Not Love Her Anymore

Tonight I will remember the model
With the wide, sad mouth
Who used to pose for father
Because I love the dangers of memory,
The boarded window and door,
Rooms where one bare bulb
Makes shadows swell up the wall.
And yet I recall only vaguely
The way her hem rustled on the floor
Like sand against tin

The friend

We sat across the table.
he said, cut off your hands.
they are always poking at things.
they might touch me.
I said yes.

Food grew cold on the table.
he said, burn your body.
it is not clean and smells like sex.
it rubs my mind sore.
I said yes.

I love you, I said.
That’ s very nice, he said
I like to be loved,
that makes me happy.
Have you cut off your hands yet?

To have without holding

Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.

It hurts to love wide open
stretching the muscles that feel
as if they are made of wet plaster,
then of blunt knives, then
of sharp knives.

Horses in Snow

They are a gift I have wanted again.
Wanted: One moment in mountains
when winter got so cold
the oil froze before it could burn.
I chopped ferns of hoarfrost from all the windows
and peered up at pines, a wedding cake
by a baker gone mad. Swirls by the thousand
shimmered above me until a cloud
lumbered over a ridge,
bringing the heavier white of more flurries.

Leap In The Dark

I.

Stoplights edged the licorice street with ribbon,
neon embroidering wet sidewalks. She turned

into the driveway and leaped in the dark. A blackbird
perched on the bouncing twig of a maple, heard

her whisper, “Stranger, lover, the lost days are over.
While I walk from car to door, something inward opens

like four o’ clocks in rain. Earth, cold from autumn,
pulls me. I can’ t breathe the same

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