Perhaps the universe is an extinguished building
with blue banners strung along
and the forest, more like a commodity
bordering bushes and asphalt,
something else to string our blue banners on.
Never was restoration swifter:
the leafless trees, the asphalt
less splintered and more splendid.
Never was restoration swifter
with its mightier solutions,
less splintered and more splendid
snipers, dynamiters, colorful bombs.
1
1
I seek a permanent home, but this structure has an appearance of indifferent compoundedness and isolation, heading toward hopelessness.
The boy pulls an animal on a leash.
The house with a red roof rests between two hills.
I can look through its windows to the sea.
His aggression opposes what in a domestic animal, cold open space, large enough to work with isolation?
House is the projection, space around it intermediary, theater.
The world weeps. There are no tears
To be found. It is deemed a miracle.
The president appears on screens
In villages and towns, in cities in jungles
And jungles still affectionately called cities.
He appears on screens and reads a story.
Whose story is he reading and why?
What lessons are to be learned from this story
About a time that has not arrived, will not arrive, is here?
Time of fire and images of fire climbing toward the sun
Time of precious and semi-precious liquids
Time of a man and a woman doused in ink
It had to be from someone whose grandparents were born in Shanghai
not the city’ s greatest citizens, but certainly among the sober ones
to make their small now eroded mark
It had to be from a distant or dissolute descendant (yes, moi)
who can sing praises unworthy of even a flicker of your attention
The challenge: to start
not with theory but with tangible performance
You and others, approaching
We shall be asked for a way out
to be fed
to keep warm and dry
Starting with experience, magic
genuine science
More than once we have been lost
in a trackless wilderness
dwarfed and shadowed by mighty buildings
subway trains wild as elephants
One goes blindly back to one’ s desk
These moments come, their dark
shadow
We wonder at our shifting capacities, keep
adding and striking skills
from the bottoms of our résumés
under constant revision
like the inscriptions on tombs
shared for generations
unnervingly up
to date
Made nervous by our shift in capabilities, we write:
greetings
as the door opened
ticking
please listen to this
food alone for all
the f. b. i. will continue
maybe you dozed off
i hung by that phone all night
suppose he talks
*
vida
later
aria
*
once upon a time
not looking for any thing
*
you’ re on
your own
it’ s off
it’ s on
*
perhaps it means
ragged like that
golda my-yeer
pre-meer
*
and pour the old box
down a drain
*
I felt suddenly convinced that I had feelings for the wallpaper.
I was especially captivated by its blonde hair and bad dreams.
I had the impression the wallpaper needed longer to properly
respond.
By the time I left, my affections had produced this abrasion on my cheek.
People looked on the abrasion as unquestionable proof of my sincerity.
The abrasion was produced by rubbing my face on the paper’ s smooth surface.
It only occurred to me later that it might have found this sensation disagreeable.
