Sorrow & Grieving

From My Window

Spring: the first morning when that one true block of sweet, laminar,
complex scent arrives
from somewhere west and I keep coming to lean on the sill, glorying in
the end of the wretched winter.
The scabby-barked sycamores ringing the empty lot across the way are
budded — I hadn't noticed —
and the thick spikes of the unlikely urban crocuses have already broken
the gritty soil.

sorrow song

for the eyes of the children,
the last to melt,
the last to vaporize,
for the lingering
eyes of the children, staring,
the eyes of the children of
buchenwald,
of viet nam and johannesburg,
for the eyes of the children
of nagasaki,
for the eyes of the children
of middle passage,
for cherokee eyes, ethiopian eyes,
russian eyes, american eyes,
for all that remains of the children,
their eyes,
staring at us, amazed to see
the extraordinary evil in

Mid-August at Sourdough Mountain Lookout

Down valley a smoke haze
Three days heat, after five days rain
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.

I cannot remember things I once read
A few friends, but they are in cities.
Drinking cold snow-water from a tin cup
Looking down for miles
Through high still air.

Diameter

You love your friend, so you fly across the country to see her.

Your friend is grieving. When you look at her, you see that something’ s missing.

You look again. She seems all there: reading glasses, sarcasm, leather pumps.

What did you expect? Ruins? Demeter without arms in the British Museum?

Your friend says she believes there’ s more pain than beauty in the world.

When Persephone was taken, Demeter damned the world for half the year.

The other half remained warm and bountiful; the Greeks loved symmetry.

After the Disaster

One night, not long after the disaster,
as our train was passing Astor,
the car door opened with a shudder
and a girl came flying down the aisle,
hair that looked to be all feathers
and a half-moon smile
making open air of our small car.

The crowd ignored her or they muttered
“Hey, excuse me” as they passed her
when the train had paused at Rector.
The specter crowed “Excuse me,” swiftly
turned, and ran back up the corridor,
then stopped for me.
We dove under the river.

To Juan Doe #234

I only recognized your hair: short,
neatly combed. Our mother

would’ ve been proud.
In the Sonoran desert
your body became a slaughter-

house where faith and want were stunned,
hung upside down, gutted. We

were taught

to bring roses, to aim for the bush. Remember?
You tried to pork

a girl’ s armpit. In Border Patrol
jargon, the word

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