The Mind

O little-know facts — how Robinson attracts them!

Pilgrims rocked ashore here, before Plymouth Rock.

The word scrimshaw is of unknown origin.

The stock name of the archaic two-lane main road? Route 6A. Really
it’ s Old King’ s Highway.

Some facts are useless: the paper bag was invented in Dennis.

Some facts are not: Wellfleet’ s town clock sings out ship’ s time.

19th century Americans observed only three holidays. The Fourth of
July was one.

O witty aperçus — how Robinson accrues them!

For my daughter

If the body is primal, if the body is performed,
if the body is a city made of matches,
something the self burns as it retreats,

if death is a victory, if death is a cascade,
if death is the moment when the pianist rises
from the piano and the piano plays on,

if you are a theater, if you are the wandering
troupe, if you have checked, lost traveler,
into the softest of hotels, if you already existed,

What is desire
But the hardwire argument given
To the mind’ s unstoppable mouth.

Inside the braincase, it’ s I
Want that fills every blank. And then the hand
Reaches for the pleasure

The plastic snake offers. Someone says, Yes,
It will all be fine in some future soon.
Definitely. I’ ve conjured a body

In the chair before me. Be yourself, I tell it.
Here memory makes you
Unchangeable: that shirt, those summer pants.

That beautiful face.
That tragic beautiful mind.
That mind’ s ravenous mouth

Gliding o'er all, through all,
Through Nature, Time, and Space,
As a ship on the waters advancing,
The voyage of the soul — not life alone,
Death, many deaths I'll sing.

1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’ d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Ida and Isidor Straus sleep side by side
eternally in an Egyptian galley
fronting their Woodlawn mausoleum.
Symbolically they lie. Their boat is small;
nor was her body recovered from the Titanic.
And yet the image of the voyage holds.

Why not embark? A river runs behind me
on the other side of this dark window.
A dream called Night Boat
arranged us side by side in a black craft,
sailing the river of forgetfulness
until the stars went out.

It scares me to watch
a woman hobble along
the sidewalk, hunched adagio

leaning on —
there’ s so much fear
I could draw you a diagram

of the great reduction
all of us will soon
be way-back-when.

The wedding is over.
Summer is over.
Life please explain.

This book is nearly halfway read.
I don’ t have a pill for that,
the doctor said.

My sister died. He raped me. They beat me. I fell
to the floor. I didn’ t. I knew children,
their smallness. Her corpse. My fingernails.
The softness of my belly, how it could
double over. It was puckered, like children,
ugly when they cry. My sister died
and was revived. Her brain burst
into blood. Father was driving. He fell
asleep. They beat me. I didn’ t flinch. I did.
It was the only dance I knew.
It was the kathak. My ankles sang
with 100 bells. The stranger
raped me on the fitted sheet.

As phantoms direct life from the shadows,

I feel
I leaned on something,
and it broke.

My father on the porch with his crosswords said,
this must be what it feels like to be dead;

When I returned from the dead there was no one to greet me,
but still you are glad —

I wander the ruins the way my tongue
wanders my missing teeth,
the bricks and mortar of Deep Deuce
rotted like molars in an ancient mouth;

Here Charlie Christian might have walked —

The astrologer counseled patience
and creative imaging:

If only God would save me,
I would know how to hurt you.

If only God would save me,
I would know who to sell my soul to.

Anything is an autobiography,
but this is a conversation —

William Burroughs insisted
literature lagged 50 years behind painting,

thinking no doubt about abstraction, collage,
fragmentation, his cut-ups.

But whatever that meant (why always 50 years?), or however
he presumed to rile other writers,

poetry probably does lag behind any credible media theory about it —