Poste Restante
I want you to know how it was,
whether the Cross grinds into dust
under men’ s wheels or shines brightly
as a monument to a new era.
I want you to know how it was,
whether the Cross grinds into dust
under men’ s wheels or shines brightly
as a monument to a new era.
I am, as you know, Walter Llywarch,
Born in Wales of approved parents,
Well goitred, round in the bum,
Sure prey of the slow virus
Bred in quarries of grey rain.
Born in autumn at the right time
For hearing stories from the cracked lips
Of old folk dreaming of summer,
I piled them on to the bare hearth
Of my own fancy to make a blaze
To warm myself, but achieved only
The smoke’ s acid that brings the smart
Of false tears into the eyes.
I couldn't have waited. By the time you return
it would have rotted on the vine.
So I cut the first tomato into eighths,
salted the pieces in the dusk
and found the flesh not mealy (like last year's)
or bitter,
even when I swallowed the green crown of the stem
that made my throat feel dusty and warm.
After there were no women, men, and children,
from the somber deeps horseshoe crabs crawled up on somber shores:
Man-of-Wars' blue sails drifted downwind
and blue filaments of some biblical cloak
floated below: the stinging filaments.
The cored of bone and rock-headed came near:
clouds made wandering shadows:
sea and grasses mingled::
There was no hell after all
but a lull before it began over::
flesh lying alone: then mating: a little spray of soul:
and the grace of waves, of stars, and remotest isles.
It was when they determined that I had been born dead
That my life became easier to understand. For a long time,
I wondered why rooms felt colder when I entered them,
Why nothing I said seemed to stick in anyone’ s ear,
Frankly, why I never had any money. I wondered
Why the cities I walked through drifted into cloud
Even as I admired their architecture, as I pointed out
The cornerstones marked “1820,” “1950.” The only songs
I ever loved were filled with scratch, dispatches from
A time when dead ones like me were a dime a dozen.
“I know kung fu.” It won’ t bring back the world.
5:15 a. m.: I wake from another dream,
the same as every dream. A man builds a ship
in my chest. Each of the sailors
carries by her breast a picture of her sister.
The ship is not the image of a ship.
Beyond its sails there are no stars.
The water is only water because it’ s black.
1
Adrift in the middle of my years, I sit in a corner and drink. I eavesdrop
a tableful of girls romancing their cell phones, workshopping
love’ s abstract particulars,
while football plays on the big screen;
I listen like a thief in case the women know the score.
But I never could tell. At fulltime I walk home like a motherless child.
The neck
of the flask
pitch black-getting bored
jacked
also madness, insidious
intended ghost
(days late)
I cross green & white flowered seas
Valentines, May Day
Life in
unbridled
collapse, Let tuneful praise ascend
Not a single line
out of step with my band, aboard
the riverboat
when the sun
shown red
and especially dark upon my room
All hail the crumbling stone monument
to the Battle of Bad Axe, the wooden helve
long rotted and burned, the short walk to the river,
where we can bathe in its brown,
where a steamboat ghost huffs out
a stream of bullets. We are invulnerable
to their spectral lead, descendants
of fur traders (beaver, ermine,
skunk). Our lungs are clean and pink. Let’ s visit
the saw shop, the greenhouse with bluff views,
the pines and stacks of firewood,
the Blackhawk general store, named for