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The clairvoyante, a major general’ s wife,
The secretaries’ sibyl, read the letters
They brought her from their GI soldier-lovers,
Interpreting the script. I went along
One afternoon with writing of my own.
“This writing is by one you cannot trust,”
She frowned, and all the secretaries smiled.
But when she took my palm, she read the brown
Fingers for too much smoking and the lines
Of time and fate for a long and famous life.
“Soon you will take a trip by land and sea.”
Across the hall, her husband, half asleep

Walking back to the office after lunch,
I saw Hans. “Mister Isham, Mister Isham,”
He called out in his hurry, “Herr Wegner needs you.
A woman waiting for a border pass
Took poison, she is dead, and the police
Are there to take the body.” In the hall,
The secretaries stood outside their doors
Silently waiting with Wegner. “Sir,” he said,
“It was her answer on the questionnaire,
A clerk for the Gestapo. So it was.”
Within the outer office, by the row
Of wooden chairs, one lying on its side,

I summon up Panofskv from his bed
Among the famous dead
To build a tomb which, since I am not read,
Suffers the stone’ s mortality instead;

Which, by the common iconographies
Of simple visual ease,
Usurps the place of the complexities
Of sound survivors once preferred to noise:

All winter long you listened for the boom
Of distant cannon wheeled into their place.
Sometimes outside beneath a bombers’ moon
You stood alone to watch the searchlights trace

Their careful webs against the boding sky,
While miles away on Munich’ s vacant square
The bombs lunged down with an unruly cry
Whose blast you saw yet could but faintly hear.

I stumble down around torn peaks
“Fit the right suit
to trick them all.”
the questions fall
around allure. Poems floated
from the hearth
sparks

The neck
of the flask
pitch black-getting bored
jacked
also madness, insidious
intended ghost
(days late)
I cross green & white flowered seas
Valentines, May Day

I cut out the “Heart with Snowflake”
Myself but it is not mine, Forget
This bloody coat bloody shirt, I
Think it is the writing that makes
Me sick, The scores and scores of
Incidental music, this nosebleed all
Spring all wet, I’ m positively angry
with the Impertinence of it! I’ m
Sewing up the kinks in this film, I’ m
Trying to! I’ m trying to burn a light
Between, There’ s a light and I cable
my voice on it but it rips when I trace
Anything! WORKS ON PAPER, THE SHIP
OF DEATH “Oh build it!” Sings the

Life in
unbridled

collapse, Let tuneful praise ascend

Not a single line

out of step with my band, aboard

the riverboat
when the sun
shown red

and especially dark upon my room

In a year the nightingales were said to be so loud
they drowned out slumber, and peafowl strolled screaming
beside the ruined nunnery, through the long evening
of a dazzled pub crawl, the halcyon color, portholed
by those eye-spots’ stunning tapestry, unsettled
the pastoral nightfall with amazements opening.

(Bubbling and spuming
as if trying to talk under
water, I address you thus:)
Must I pretend not to love
you (in your present bloom,
your present perfection — soul
encased in fleshly relevance)
so you won’ t believe me
just another seabed denizen
vying for your blessed attention?
Some of us (but not you)
are so loosely moored
to our bodies we can
barely walk a straight line,
remaining (most days) only
marginally conscious.
We stagger and shudder
as buckets of   blood or sperm