The moon is a sow
and grunts in my throat
Her great shining shines through me
so the mud of my hollow gleams
and breaks in silver bubbles
She is a sow
and I a pig and a poet
When she opens her white
lips to devour me I bite back
and laughter rocks the moon
In the black of desire
we rock and grunt, grunt and
shine
The ache of marriage:
thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth
We look for communion
and are turned away, beloved,
each and each
It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it
two by two in the ark of
the ache of it.
How gray and hard the brown feet of the wretched of the earth.
How confidently the crippled from birth
push themselves through the streets, deep in their lives.
How seamed with lines of fate the hands
of women who sit at streetcorners
offering seeds and flowers.
How lively their conversation together.
How much of death they know.
I am tired of ‘the fine art of unhappiness.’
To lie back under the tallest
oldest trees. How far the stems
rise, rise
before ribs of shelter
open!
To live in the mercy of God. The complete
sentence too adequate, has no give.
Awe, not comfort. Stone, elbows of
stony wood beneath lenient
moss bed.
Far away, far away, men making wars.
Other folk's blood spilt on other folk's floors.
Only this morning I wounded my finger:
a thorn on my rosebush pierced like a stinger.
Sucking that finger, I thought of the war.
Sad is the earth! And those people, so poor!
I'm of no help, being here and not there,
nor can I reach them, by sea or by air.
And what if I could — what good could I do?
My Arabic's terrible! My English is, too!
I love her fierceness when she fights me,
shouting "Not fair!" Her eyes slitting
like shutters in cities by the sea.
Her life is rife with bonfires — seen and unseen —
fires that burn through the turning years
bringing her to life again, and again, in a miracle of smoke.
This heat gives her a sense of forgiveness — or so I imagine —
she kisses my back, capriciously, when I scold her.
Maybe she recalls the scalpel by which she was born.
Easy, the mark of its slash in my skin.
Each day we go about our business,
walking past each other, catching each other’ s
eyes or not, about to speak or speaking.
All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.
Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.
Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.
They had questioned him for hours. Who exactly was he? And when
He told them, they questioned him again. When they accepted who he was, as
Someone not involved, they pulled out his fingernails. Then
They took him to a waste-ground somewhere near the Horseshoe Bend, and told him
What he was. They shot him nine times.
It was overcast. No hour at all was indicated by the gnomon.
With difficulty I made out the slogan, Time and tide wait for no man.
I had been waiting for you, Daphne, underneath the dripping laurels, near
The sundial glade where first we met. I felt like Hamlet on the parapets of Elsinore,
Alerted to the ectoplasmic moment, when Luna rends her shroud of cloud
And sails into a starry archipelago. Then your revenant appeared and spake aloud:
I woke. You were lying beside me in the double bed,
prone, your long dark hair fanned out over the downy pillow.
I’ d been dreaming we stood on a beach an ocean away
watching the waves purl into their troughs and tumble over.
Knit one, purl two, you said. Something in your voice made me think
of women knitting by the guillotine. Your eyes met mine.
The fetch of a wave is the distance it travels, you said,
from where it is born at sea to where it founders to shore.
