War & Conflict

1

In an air-conditioned trailer, three geeks
barely beyond boyhood fist-bump and high-five

at a job well done. With the click of a key a dozen
soundless screens flutter. Now in the shallow

of a cave near the Khyber Pass, a stack of glow sticks
activated in the blast steeps the darkness green:

two cans of pineapple; a mangled can of beets
bleeding juice; some boy streaked black, his burns

wrapped in torn canvas tent ­ flaps. He must hear the
cyborg beetle’ s brains buzz like a circuit- ­ bent keyboard

And before hell mouth; dry plain
and two mountains;
On the one mountain, a running form,
and another
In the turn of the hill; in hard steel
The road like a slow screw’ s thread,
The angle almost imperceptible,
so that the circuit seemed hardly to rise;
And the running form, naked, Blake,
Shouting, whirling his arms, the swift limbs,
Howling against the evil,
his eyes rolling,

LOQUITUR: En Betrans de Born.
Dante Alighieri put this man in hell for that he was a stirrer-up of strife.
Eccovi!
Judge ye!
Have I dug him up again?

The scene is his castle, Altaforte. “Papiols” is his jongleur. “The
Leopard,” the device of Richard (Cœur de Lion).

I

Rudolph Reed was oaken.
His wife was oaken too.
And his two good girls and his good little man
Oakened as they grew.

“I am not hungry for berries.
I am not hungry for bread.
But hungry hungry for a house
Where at night a man in bed

” May never hear the plaster
Stir as if in pain.
May never hear the roaches
Falling like fat rain.

There will be a rusty gun on the wall, sweetheart,
The rifle grooves curling with flakes of rust.
A spider will make a silver string nest in the
darkest, warmest corner of it.
The trigger and the range-finder, they too will be rusty.
And no hands will polish the gun, and it will hang on the wall.
Forefingers and thumbs will point casually toward it.
It will be spoken among half-forgotten, whished-to-be-forgotten things.
They will tell the spider: Go on, you're doing good work.

THE single clenched fist lifted and ready,
Or the open asking hand held out and waiting.
Choose:
For we meet by one or the other.

Lynette, the stars are kerned so far apart —
Through a herniated zodiac I almost see your waled skylanes, your shocked Capricorn and Cancer.
In the hundred and two years since you were born, and the sixteen since your heart failed, and the nearly sixty since you gave up poetry, it seems we can’ t navigate by the same star chart.
I’ d like to think we were fated to work the same coracle: you steering with one hand, grasping your corner of the seine while I grasp mine; together sweeping the weirs.

We rise from the snow where we’ ve
lain on our backs and flown like children,
from the imprint of perfect wings and cold gowns,
and we stagger together wine-breathed into town
where our people are building
their armies again, short years after
body bags, after burnings. There is a man
I’ ve come to love after thirty, and we have
our rituals of coffee, of airports, regret.
After love we smoke and sleep

May 1978