War & Conflict

The land was ours before we were the land’ s.
She was our land more than a hundred years
Before we were her people. She was ours
In Massachusetts, in Virginia,
But we were England’ s, still colonials,
Possessing what we still were unpossessed by,
Possessed by what we now no more possessed.
Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.
Such as we were we gave ourselves outright

I slumbered with your poems on my breast
Spread open as I dropped them half-read through
Like dove wings on a figure on a tomb
To see, if in a dream they brought of you,

I might not have the chance I missed in life
Through some delay, and call you to your face
First soldier, and then poet, and then both,
Who died a soldier-poet of your race.

I meant, you meant, that nothing should remain
Unsaid between us, brother, and this remained—
And one thing more that was not then to say:
The Victory for what it lost and gained.

If, in an odd angle of the hutment,
A puppy laps the water from a can
Of flowers, and the drunk sergeant shaving
Whistles O Paradiso! — shall I say that man
Is not as men have said: a wolf to man?

What say the Bells of San Blas
To the ships that southward pass
From the harbor of Mazatlan?
To them it is nothing more
Than the sound of surf on the shore, —
Nothing more to master or man.

But to me, a dreamer of dreams,
To whom what is and what seems
Are often one and the same, —
The Bells of San Blas to me
Have a strange, wild melody,
And are something more than a name.

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

When I ran, it rained. Late in the afternoon —
midsummer, upstate New York, mornings I wrote,
read Polish history, and there was a woman
whom I thought about; outside the moody, humid
American sublime — late in the afternoon,
toward sundown, just as the sky was darkening,
the light came up and redwings settled in the cattails.
They were death's idea of twilight, the whole notes
of a requiem the massed clouds croaked
above the somber fields. Lady of eyelashes,
do you hear me? Whiteness, otter's body,

A sentence with “dappled shadow” in it.
Something not sayable
spurting from the morning silence,
secret as a thrush.

The other man, the officer, who brought onions
and wine and sacks of flour,
the major with the swollen knee,
wanted intelligent conversation afterward.
Having no choice, she provided that, too.

Potsdamerplatz, May 1945.

Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston’ s
“hardly passionate Marlborough Street,”
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is a “young Republican.”
I have a nine months’ daughter,
young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants’ wear.

Manic-depressive Lincoln, national hero!
How just and true that this great nation, being conceived
In liberty by fugitives should find
— Strange ways and plays of monstrous History —
This Hamlet-type to be the President —

This failure, this unwilling bridegroom,
This tricky lawyer full of black despair —

A voice from the dark called out,
‘The poets must give us
imagination of peace, to oust the intense, familiar
imagination of disaster. Peace, not only
the absence of war.’
But peace, like a poem,
is not there ahead of itself,
can’ t be imagined before it is made,
can’ t be known except
in the words of its making,
grammar of justice,
syntax of mutual aid.
A feeling towards it,
dimly sensing a rhythm, is all we have
until we begin to utter its metaphors,
learning them as we speak.