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The Gilded Zero

Only open homes & woods & pansies’ blue ledges
can lead the zero with his only arms
to embrace himself in open fields for all to gape upon.
He unbuttons steel-gray sheets, a knotted top coat,
bares himself, his hole, a vision
as framed by the marker that is
where
his body blew and left enclosure intact,
skeletal innards
enough to make moviegoers ask,
“Has anyone finished themselves yet?”
I haven’ t. I swim the lagoon, take note:
the babies are barely dirty,
their armpits smooth with silky soot

The Girl Who Buried Snakes in a Jar

She came to see the bones
whiten in a summer,
and one year later a narrow
mummy with a dusty skin
and flaking scales
would break apart in her hand.

She wanted to see if sunlight
still glinted in those eyes,
to know what it lighted
from a window on the mallow roots,
leaf mold and fallen casques.

And to ask if a single tongue,
one forked flicker in the dark,
had found any heat in death:
in the closed space and chill
of that burial, what speech,
what sign would there be.

The Glass Bubbles

The motion of gathering loops of water
Must either burst or remain in a moment.
The violet colors through the glass
Throw up little swellings that appear
And spatter as soon as another strikes
And is born; so pure are they of colored
Hues, that we feel the absent strength
Of its power. When they begin they gather
Like sand on the beach: each bubble
Contains a complete eye of water.

The goats came marching

The goats came marching one by one, hurrah! Hurrah!
The goats came marching one by one, hurrah! Hurrah!
The goats came marching one by one,
The little one stopped...to bask in the sun.
Then they all came marching, over the rickety bridge.

The goats came marching two by two, hurrah! Hurrah!
The goats came marching two by two, hurrah! Hurrah!
The goats came marching two by two,
The little one stopped...to look at the view.
Then they all came marching, over the rickety bridge.

The Going Of The Battery Wives' Lament

I
It was sad enough, weak enough, mad enough —
Light in their loving as soldiers can be —
First to risk choosing them, leave alone losing them
Now, in far battle, beyond the South Sea! . . .

II

— Rain came down drenchingly; but we unblenchingly
Trudged on beside them through mirk and through mire,
They stepping steadily — only too readily! —
Scarce as if stepping brought parting-time nigher.

III

The Golden Age

is thought to be a confession, won by endless
torture, but which our interrogators must
hate to record — all those old code names, dates,
the standard narrative of sandpaper
throats, even its remorse, fall ignored. Far

away, a late (not lost) messenger stares,
struck by window bargains or is it the gift
of a sudden solicitude: is she going to
lift up her shadow’ s weight, shift hers
onto it? She knows who bears whom. In

The Good Life

When some people talk about money
They speak as if it were a mysterious lover
Who went out to buy milk and never
Came back, and it makes me nostalgic
For the years I lived on coffee and bread,
Hungry all the time, walking to work on payday
Like a woman journeying for water
From a village without a well, then living
One or two nights like everyone else
On roast chicken and red wine.

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