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Waiting for This Story to End Before I Begin Another

All my stories are about being left,
all yours about leaving. So we should have known.
Should have known to leave well enough alone;
we knew, and we didn’ t. You said let’ s put
our cards on the table, your card
was your body, the table my bed, where we didn’ t
get till 4 am, so tired from wanting
what we shouldn’ t that when we finally found our heads,
we’ d lost our minds. Love, I wanted to call you
so fast. But so slow you could taste each
letter licked into your particular and rose-like ear.

Wake Me in South Galway

Wake me in South Galway, or better yet
In Clare. You'll know the pub I have in mind.
Improvise a hearse — one of those decrepit
Postal vans would suit me down to the ground —
A rust-addled Renault, Kelly green with a splash
Of Oscar Wilde yellow stirred in to clash
With the dazzling perfect meadows and limestone
On the coast road from Kinvara down toward Ballyvaughan.

Waking

It was dusk, the light hesitating
and a murmer in the wind, when the deer, exhausted,
turned to look at me, an arrow in its side.

Though I pity dreamers, taking a thread
and weaving it upon the loom of Self — the secret,
gaudy, wonderful new cloth — , I will tell the end of the story.

His shoulder was torn, the joint held by one sinew,
which I severed with the blade of the arrow,
so when he ran there were no impediments.

The black dogs that followed were swifter,
their barking ancient, despicable.

Wall and Pine: The Rain

Now the god of rainy August hangs his mask
among the city’ s spires and balustrades
and stone clocktowers half-effaced in clouds.
On Park the first reflecting pool dims
with a thousand smelted-silver circle-rims,
while west on Fifth a modiste scatters leaves
in fall vitrines, and felt-browed mannequins
resign the world with gestures of disdain.

Wall, Cave, and Pillar Statements, after Asôka

In order to perfect all readers
the statements should be carved
on rock walls, on cave walls,
and on the side of pillars so
the charm of their instruction can
affect the mountain climbers near
the cliffs, the plainsmen near
the pillars, and the city people near
the caves they go to on vacations.

Walt, the Wounded

The whole world was there, plucking their linen,
half-bald, mumbling, sucking on their moustache tips.
Broadway was still in business and they asked no favors.

All the cracked ribs of Fredericksburg,
the boys who held their tongues at Chancellorsville
as the bandages, mule shit, skin and shot

overran the Rappahannock’ s banks
and poured it in our mouths
that summer.

Walter Llywarch

I am, as you know, Walter Llywarch,
Born in Wales of approved parents,
Well goitred, round in the bum,
Sure prey of the slow virus
Bred in quarries of grey rain.

Born in autumn at the right time
For hearing stories from the cracked lips
Of old folk dreaming of summer,
I piled them on to the bare hearth
Of my own fancy to make a blaze
To warm myself, but achieved only
The smoke’ s acid that brings the smart
Of false tears into the eyes.

Want

She wants a house full of cups and the ghosts
of last century’ s lesbians; I want a spotless
apartment, a fast computer. She wants a woodstove,
three cords of ash, an axe; I want
a clean gas flame. She wants a row of jars:
oats, coriander, thick green oil;
I want nothing to store. She wants pomanders,
linens, baby quilts, scrapbooks. She wants Wellesley
reunions. I want gleaming floorboards, the river’ s
reflection. She wants shrimp and sweat and salt;
she wants chocolate. I want a raku bowl,

Wanted

A white bull, a cassock, an antique mirror
The famous ones have passed hours in front of,
A midnight blue tuxedo, a fainting couch, a key
To a box of lewd photographs, a swastika,
Twelve bales of hay, three grave plots, a statue
Of Christ holding a heart pierced by a dagger,
A black patch, all kinds of utensils for the sick —
Including thirty-nine feet of catheter tubing,
A houseboat, a dog, a baby grand, an oar
Said to have been carved from a lovely river
And a woman’ s hat by Alfred Jarry, a mattress,

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