I’ ll fly off to a fjord in Norway,
post “Oh the pain” above my doorway
if you insist on going your way,
for this is not a duck.
That is what cowards say, and realists
who run away, shun the appeal its
rare white fur holds, although they feel it’ s
a rabbit full of pluck.
Let’ s multiply, let’ s twitch our noses,
let’ s walk among the night’ s dark roses,
though where the oldest story goes is
a place where tongues might cluck.
If all the trees in all the woods were men;
And each and every blade of grass a pen;
If every leaf on every shrub and tree
Turned to a sheet of foolscap; every sea
Were changed to ink, and all earth's living tribes
Had nothing else to do but act as scribes,
And for ten thousand ages, day and night,
The human race should write, and write, and write,
Till all the pens and paper were used up,
And the huge inkstand was an empty cup,
Still would the scribblers clustered round its brink
Through the branches of the Japanese cherry
Blooming like a cloud which will rain
A rain white as the sun
The living room across the roadway
Cuts its square of light
And in it fight
Two figures, hot, irate,
Stuck between sink and sofa in that golden cage.
Come out into the night, walk in the night,
It is for you, not me.
The cherry flowers will rain their rain as white
Cool as the moon.
Listen how they surround.
You swing among them in your cage of light.
The evidence was in and it went to the contrary.
The contrary wound around us rather like a river.
The river reacted, spider-like, tangling up its legs
with other wet parts we thought we knew,
such as creeks and fjords and deltas and such.
A beaver sits on the riverbank watching all of this unfold.
He doesn’ t know what a fjord is, and he doesn’ t care
for other waters, or even other beavers, or the merest
hint of other business, so he removes this evidence.
I called the white donkey that hurt my left shoulder
the last time it appeared, ramming me
with its ivory head, cracking my back
to relieve me of worry and hope.
I called the white donkey,
surprised at the sound of my voice.
Scared, I wondered if the white head
would give me its donkey brain,
snowy matter dripping into my ears
like the horse of the first man who fell off,
the donkey teaching me about desire
and the moan, that white hair on the back
of my head that warns me.
We tied branches to our helmets.
We painted our faces & rifles
with mud from a riverbank,
blades of grass hung from the pockets
of our tiger suits. We wove
ourselves into the terrain,
content to be a hummingbird’ s target.
We hugged bamboo & leaned
against a breeze off the river,
slow-dragging with ghosts
from Saigon to Bangkok,
with women left in doorways
reaching in from America.
We aimed at dark-hearted songbirds.
They had questioned him for hours. Who exactly was he? And when
He told them, they questioned him again. When they accepted who he was, as
Someone not involved, they pulled out his fingernails. Then
They took him to a waste-ground somewhere near the Horseshoe Bend, and told him
What he was. They shot him nine times.
Because the silence of the dead,
that blue expanse of sky about
to ashen here above my head,
is easily ignored, our tears
are blamed on flowers whitening limbs
of trees, the very air, with hymns
of summer pollen no one hears
except for women — old, devout.
If on your grandmother's birthday you burn a candle
To honor her memory, you might think of burning an extra
To honor the memory of someone who never met her,
A man who may have come to the town she lived in
Looking for work and never found it.
Picture him taking a stroll one morning,
After a month of grief with the want ads,
Heureux ceux qui ont la clim
Pendant la grande canicule.
Heureux those whose culs are cool.
Heureuse her and heureux him.
C’est la canicule qui hurle,
Ready to tear you limb from limb.
Heureux ceux qui ont la clim,
Cri-criant: ‘O turlútuturle! ’
La situation est grim,
The mise-en-scène a trifle burle.
À chaleur disons donc: ‘Ta gueule! ’
And keep ourselves amused and slim.
