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R.I.P.

Not forced to fall for hideous Phaon,
nor to drift dreamlike from
a Victorian cliff, pursued by visions
of slender limbs, peach-soft hair,
dewy violets clustered
in an unwilling lap, not exiled
on a distant island for writing
smartly about love, not called amoral
nor forgotten, not murdered
by a jealous lover, nor weakened
from drink, did not make an incision
in the veins, never murdered
in a tavern at twenty-nine
nor thought mad, released immediately
from St. Luke's Hospital for Lunatics,

RaceRace

Sometimes I think about Great-Uncle Paul who left Tuskegee,
Alabama to become a forester in Oregon and in so doing
became fundamentally white for the rest of his life, except
when he traveled without his white wife to visit his siblings —
now in New York, now in Harlem, USA — just as pale-skinned,
as straight-haired, as blue-eyed as Paul, and black. Paul never told anyone
he was white, he just didn’ t say that he was black, and who could imagine,
an Oregon forester in 1930 as anything other than white?

Radio Crackling, Radio Gone

Thousands of planes were flying and then
they stopped. We spend days moving our eyes

across makeshift desks, we sit on a makeshift floor;
we prepare for almost nothing that might happen.

Early on, distant relations kept calling.
Now, nothing: sound of water

tippling a seawall. Nothing: sparks
lighting the brush, sparks polishing the hail,

the flotsam of cars left standing perfectly still.
Thud of night bird against night air,

there you are on the porch, swath
of feathers visible through the glass,

Rage for Order

I guess you could call it
a sort of sympathetic magic.
How else to explain
this obsessive reorganizing
of my home, my books, my papers,
my poems, this housekeeping
of my hard drive and floppies,
all the deleting and casting away
of redundancy and obsolescence,
dead files and moved-on addresses
and the scrubbing, the constant
scrubbing and dusting and the howl
of the protesting vacuum
that struggles to inhale
at least the 70% of house-dust
that is dead human skin
some of which might be hers.

Railroad Face

I sit with my railroad face and ask God to forgive me
for being a straight line toward the dead
who were buried with their poor clothes
in the Arizona desert of iron borders.

This way of waving to the embers of the past,
not apologzing for carrying torn rosaries inside
my pockets where beads of worry became fossilized
insects whose dry husks I kept since a child.

Rain Effect

A bride and a groom sitting in an open buggy
in the rain, holding hands but not looking
at each other, waiting for the rain to stop,
waiting for the marriage to begin, embarrassed
by the rain, the effect of the rain on the bridal
veil, the wet horse with his mane in his eyes,
the rain cold as the sea, the sea deep as love,
big drops of rain falling on the leather seat,
the rain beaded on a rose pinned to the groom’ s
lapel, the rain on the bride’ s bouquet,
on the baby’ s breath there, the sound of the rain

Rain on Tin

If I ever get over the bodies of women, I am going to think of the rain,
of waiting under the eaves of an old house
at that moment
when it takes a form like fog.
It makes the mountain vanish.
Then the smell of rain, which is the smell of the earth a plow turns up,
only condensed and refined.
Almost fifty years since thunder rolled
and the nerves woke like secret agents under the skin.
Brazil is where I wanted to live.
The border is not far from here.
Lonely and grateful would be my way to end,

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