Rachel Richardson

D M

Dan Emmett Writes “Dixie,” 1859

He started with the tune his mother had hummed
in Ohio, nostalgia he’ d carried for years,
and by Sunday afternoon he had the words.
A triumph, already; he whistled the banjo’ s part.

(Himself a sympathizer from the North,
called copperhead, called traitor by his own kin.)

Something lively, some git-up-and-git they’ d wanted
and didn’ t he deliver —
Miss Susan got seven encores the first night.
That gave them their tune, their Negro walk-around —

My Grandmother Plays Emily in Our Town

I

I am asking something gone
return: at least one night, her face

a girl’ s, just twenty, and
to be married in a month,

holding the dress’ s hem to her lips
as places are called. And I,

come along too late to know her
trembling, parting the curtain —

let me hear her now
perched on the ladder, recite

“But Mama,...
am I pretty enough...?”

II

When Emily marries, ladies in hats
drown out the proper vows

— it’ s what the play requires;
the everyday over the sacred. Even the set