Sakura Park

The park admits the wind,
the petals lift and scatter

like versions of myself I was on the verge
of becoming; and ten years on

and ten blocks down I still can’ t tell
whether this dispersal resembles

a fist unclenching or waving goodbye.
But the petals scatter faster,

seeking the rose, the cigarette vendor,
and at least I’ ve got by pumping heart

some rules of conduct: refuse to choose
between turning pages and turning heads

Turkey Fallen Dead from Tree

Startled from snow-day slumber by a neighbor’ s mutt,
it banged its buzzard’ s head then couldn’ t solve
the problem of the white pine’ s limbs
with wings nearly too broad for a planned descent.
Somewhere an awkward angel knows
whether it was dead before it hit the ground.
Any sinner could tell it was dead after —
eyes unseen beneath bare and wrinkled lids,
feet drawn up almost as high as hands.
I loved to watch thistle and millet
disappear beneath it in the yard.
As snow covers feathers that will still be

The Dead Remember Brooklyn

It is the great arguments
we are proud of, over a nibbled peach,
hair in the comb, a faulty lube job;
the reconciliations were always naked
in borrowed rooms, sometimes in Queens
or Staten Island, we touched each other
shyly — we reminded each other
of loneliness and funk and beautiful pigeons
with oil-slick necks, cooing bitterly —
but there we lost each other
in forgiveness; keeping score,
being wounded even in triumph,
walking home down leafy avenues
etched with the faint double line

A Cave of Angelfish Huddle Against the Moon

Put an ear to the light at fall
of dark and you will hear
nothing. This pale luminescence
that drifts in upon them
makes a blue bole of their caves,
a scare of their scything
tails. They tell
in the bubbling dark of images
that come in upon them
when light spreads like an oil slick
and sea fans
that once were their refuge
turn away.
Now there is no dark
dark enough for their silver tails,
scatter of color
(like coins massively
piling in the lap of a miser)

Subway Seethe

What could have been the big to-do
that caused him to push me aside
on that platform? Was a woman who knew
there must be some good even inside
an ass like him on board that train?
Charity? Frances? His last chance
in a ratty string of last chances? Jane?
Surely in all of us is some good.
Better love thy neighbor, buddy,
lest she shove back. Maybe I should.
It's probably just a cruddy
downtown interview leading to
some cheap-tie, careerist, dull
cul-de-sac he's speeding to.

It Was Over

Something expired. At the turning,
A spirit was gone. That which was
Turned to sepia: high collars, punting,
Waxed mustaches, parasols.

From bridges, children stared in the river
And felt themselves, also, halved.
Old manners were patently over.
New manners had not yet arrived.

The old, without waiting to speak
Their parting lines in the act,
Learned to exit the way of pipe-smoke.
Uttered nothing. Utter tact.

Hudson

unwavering noon, self-minus
sun flake on the levels of gold

there are names for these things: rose, brick, plate glass

the annunciation of the sparrow
a gene for anxiety

add hope, fear, greed, desire

no rest but the shade
to which a sun implodes

perhaps on other worlds others walk streets
muse on the weather

psyches built, say, on a double sun of unwavering noon

the balm of such congruence

thick, white, stick bicyclists painted on the esplanade to Chambers

Hollow Boom Soft Chime: The Thai Elephant Orchestra

A sound of far-off thunder from instruments
ten feet away: drums, a log,
a gong of salvage metal. Chimes
of little Issan bells, pipes in a row, sometimes
a querulous harmonica.
Inside the elephant orchestra’ s audience,
bubbles form, of shame and joy, and burst.
Did elephants look so sad and wise,
a tourist thinks, her camera cold in her pocket,
before we came to say they look sad and wise?
Did mastodons have merry, unwrinkled faces?
Hollow boom soft chime, stamp of a padded foot,

Pages