He danced with tall grass
for a moment, like he was swaying
with a woman. Our gun barrels
glowed white-hot.
When I got to him,
a blue halo
of flies had already claimed him.
I pulled the crumbled photograph
from his fingers.
There's no other way
to say this: I fell in love.
The morning cleared again,
except for a distant mortar
& somewhere choppers taking off.
I slid the wallet into his pocket
& turned him over, so he wouldn't be
kissing the ground.
When deeds splay before us
precious as gold & unused chances
stripped from the whine-bone,
we know the moment kindheartedness
walks in. Each praise be
echoes us back as the years uncount
themselves, eating salt. Though blood
first shaped us on the climbing wheel,
the human mind lit by the savanna’ s
ice star & thistle rose,
your knowing gaze enters a room
& opens the day,
saying we were made for fun.
Even the bedazzled brute knows
when sunlight falls through leaves
Since it always begins
in the unlikeliest place
we start in an obsolete country
on no current map. The camera
glides over flower beds,
for this is a southern climate.
We focus on medals, a horse,
on a white uniform,
for this is June. The young man
waves to the people lining the road,
he lifts a child, he catches
a rose from a wrinkled woman
in a blue kerchief. Then we hear shots
and close in on a casket
draped in the Austrian flag.
Thirty-one days torn off a calendar.
Somewhere now she takes off the dress I am
putting on. It is evening in the antiworld
where she lives. She is forty-five years away
from her death, the hole which spit her out
into pain, impossible at first, later easing,
going, gone. She has unlearned much by now.
Her skin is firming, her memory sharpens,
her hair has grown glossy. She sees without glasses,
she falls in love easily. Her husband has lost his
shuffle, they laugh together. Their money shrinks,
but their ardor increases. Soon her second child
Last night a man on the radio,
a still young man, said the business district
of his hometown had been plowed under.
The town was in North Dakota.
Grass, where the red-and-gold
Woolworth sign used to be,
where the revolving doors
took him inside Sears;
gone the sweaty seats
of the Roxy — or was it the Princess —
of countless Friday nights
that whipped his heart to a gallop
when a girl touched him, as the gun
on the screen flashed in the moonlight.
This is not fantasy, this is our life.
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.
Both hands are stopped at noon.
We are beginning to live forever,
in lightweight, aluminum bodies
with numbers stamped on our backs.
We dial our words like Muzak.
We hear each other through water.
In the America of the dream
the first rise of the moon
swings free of the ocean,
and she reigns in her shining flesh
over a good, great valley
of plumped, untrampled grasses
and beasts with solemn eyes,
of lovers infallibly pitched
in their ascendant phase.
1.
Imagine waking
to a scene of snow so new
not even memories
of other snow
can mar its silken
surface. What other innocence
is quite like this,
and who can blame me
for refusing
to violate such whiteness
with the booted cruelty
of tracks?
2.
When I was
nearly six my
father
opened his magic
doctor bag:
two
tongue depressors fastened by
a rubber
band;
one flick
of his hairy wrist
and lo!
we invented
flight.
Dear lost sharer
of silences,
I would send a letter
the way the tree sends messages
in leaves,
or the sky in exclamations
of pure cloud.
Therefore I write
in this blue
ink, color
of secret veins
and arteries.
It is morning here.
Already the postman walks
