Amening

Model prisoner or not, I won't.

Silver lash, hound's tooth,
meager sinful town's crook.

I am nervous again. I could kill
if you let me. But tonight, I'll be still
under this palm. Zeroed out,
the tea my toilet muck.

Licorice and almond
twisted beneath the sink,
I'm lovely again. Come on
with my dying.

Today the globe's underside
isn't pink, but rather,

I look ahead toward what
has happened.

The Legend

In Chicago, it is snowing softly
and a man has just done his wash for the week.
He steps into the twilight of early evening,
carrying a wrinkled shopping bag
full of neatly folded clothes,
and, for a moment, enjoys
the feel of warm laundry and crinkled paper,
flannellike against his gloveless hands.
There’ s a Rembrandt glow on his face,
a triangle of orange in the hollow of his cheek

What For

At six I lived for spells:
how a few Hawaiian words could call
up the rain, could hymn like the sea
in the long swirl of chambers
curling in the nautilus of a shell,
how Amida’ s ballads of the Buddhaland
in the drone of the priest’ s liturgy
could conjure money from the poor
and give them nothing but mantras,
the strange syllables that healed desire.

I lived for stories about the war
my grandfather told over hana cards,
slapping them down on the mats
with a sharp Japanese kiai.

This Corner of the Western World

Dark thing,
make a myth of yourself:

all women turn into lilacs,

all men grow sick of their errant scent.
You could learn

to build a window, to change flesh
into isinglass, nothing

but a brittle river, a love of bone.

You could snap like a branch — No,

this way, he says, and the fence
releases the forest,

and every blue insect finds an inch of skin.
He loves low voices, diffidence

on the invented trail,

the stones you fuck him on. Yes
to sweat’ s souvenir, yes to his fist

Cinque Terre

Between the train's long slide and the sun
ricocheting off the sea, anyone
would have fallen silent in those words,
the language of age in her face, the birds
cawing over the broken earth, gathering near its stones
and chapel doors. In the marina, the sea and its bones
have grown smaller. Though the tide is out,
it is not the tide nor the feathers nor the cat
that jumps into the street, the dust
lifting with each wing and disappearing. The rust-
colored sheets that wrap the sails of ships,

Translation

We thought nothing of it, he says,
though some came so close to where we slept.

I try to see him as a boy,
back in the Philippines, waking

to the sound of machine guns.
His family would spend their morning

spreading a paste over the sores
of the house’ s thick walls.

He tells how he touched
points where bullets entered,

his fingers, he says, disappeared into the holes,

as if inside there existed a space
where everything from this world could vanish.

Grave

In the harsh glare of an easily
reprehensible life. The channel changer is lost
in the crack of an infinite sofa.
Everything falls apart, everything breaks
down, torn into a million
fragments, Jericho everyday.

I want to be the blameless
victim in this canceled puppet show,
the marionette every mother loves, the one
souvenirs are modeled from.

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