We Have Trees Now
So much sky
Because we canbecause we can
a new kind, our new people
this is us now
we didn't know we were here
we don't know how it happened
we flew out of their arms.
So much sky
Because we canbecause we can
a new kind, our new people
this is us now
we didn't know we were here
we don't know how it happened
we flew out of their arms.
Gregarious in hunger, a flock of twenty
turn circles like whorls of barbed wire,
no spot below flown over uncanvassed.
The closer to death the closer they come,
waiting on wings with keen impatient
perseverance, dark blades lying in wake
until age or wound has turned canter
into carcass or near enough for them
to swoop scrupulous in benediction,
land hissing, hopping, tearing, gorging.
no portion, save bone, too durable
to digest. What matters cannot remain.
My hair, voluminous from sleeping in
six different positions, redolent with your scent,
helps me recall that last night was indeed real,
that it's possible for a bedspread to spawn
a watershed in the membrane that keeps us
shut in our own skins, mute without pleasure,
that I didn't just dream you into being.
You fit like a fig in the thick of my tongue,
give my hands their one true purpose,
find in my shoulder a groove for your head.
In a clinch, you're clenched and I'm pinched,
we're spooned, forked, wrenched, lynched
Particulate as ash, new year's first snow falls
upon peaked roofs, car hoods, undulant hills,
in imitation of motion that moves the way
static cascades down screens when the cable
zaps out, persistent & granular with a flicker
of legibility that dissipates before it can be
interpolated into any succession of imagery.
One hour stretches sixty minutes into a field
of white flurry: hexagonal lattices of water
In the lull, the afternoon sun warms
the linseed field. The flowers are quiet,
their bright subdued in the green
while the mind wanders
to the emerald mosque upon the hill,
built around a flowing spring,
the easy absolutions and ablutions
in that mosque where the spring water
has been let loose to meander
over marble courtyards and inner chambers,
across the geometric, green-tiled floor that
cools the heels of the faithful.
Brad Pitt and Kevin Bacon are in a boxing ring in the middle of a football field. They are both wearing white boxer shorts, no gloves, and about to perform a dance routine. I am standing next to them, looking at Brad Pitt’ s hair flop down over his face. He smiles at me before the music starts. From everywhere, broken glass bottles hurl at their bodies, and they are splashed with gasoline. We are also in a dark alley lit by fire. The two are still standing, looking over at me, though I can’ t tell who is smiling.
Spaces in the electric air divide themselves
in circular rhythms, as the slender
grace of your arms and bell-tied ankles
describe a geometric topography, real, cosmic,
one that once reverberated continually in
a prescribed courtyard of an ancient temple
in South India. As your eyelids flit and flirt, and
match the subtle abhinaya in a flutter
of eye-lashes, the pupils create an
unusual focus, a sight only ciliary muscles
blessed and cloaked in celestial kaajal
could possibly enact.
1.
some things, I knew,
were beyond choosing:
didu — grandmother — wilting
under cancer’ s terminal care.
mama — my uncle’ s — mysterious disappearance —
ventilator vibrating, severed
silently, in the hospital’ s unkempt dark.
an old friend’ s biting silence — unexplained —
promised loyalties melting for profit
abandoning long familial presences of trust.
1
A bright red boat
Yellow capsicums
Blue fishing nets
Ochre fort walls
2
Sahar’ s silk blouse
gold and sheer
Her dark black
kohl-lined lashes
3
A street child’ s
brown fists
holding the rainbow
in his small grasp
4
My lost memory
white and frozen
now melts colour
ready to refract
Couched on crimson cushions,
pink bleeds gold
and red spills into one’ s heart.
Broad leather keeps time,
calibrating different hours
in different zones
unaware of the grammar
that makes sense.
Only random woofs and snores
of two distant dogs
on a very cold night
clears fog that is unresolved.
New plants wait for new heat —
to grow, to mature.
An old cane recliner contains
poetry for peace — woven
text keeping comfort in place.
But it is the impatience of want