In through our bedroom window, the full dawn-scape concusses.
Difficult to sustain sleep's equilibrium of wordlessness.
Naming anything, like stepping barefoot in wet sand up to my ankles.
Name after name, sinking me farther beneath waking's buoyancy.
House, this morning, is pale with the rush of what night siphoned off.
Objects, still emptied of resemblance, hum their chord-less cantos.
Bloodless, my knuckles knock on walls without echo, testing singularities.
the plates are broken after just one meal:
plates that mimic lily pads or horseshoe crabs,
swifts’ wings,
golden koi, whirlpools, blowholes in rictus:
all smashed against the table’ s edge —
... also our chef eschews pepper & salt
for violets & vespers
& squid ink & honey from wasps
rare lichen grown in local snow
authentic silt dark from the Nile or Tigris.
I find it helpful to imagine writing in a blizzard
with every inscription
designed to prevent snow
crystals from drifting in.
Avoid the hive mind. Go fly a kite,
raise a stained glass window in the sky.
It’ s the opposite of making love to drudgery,
what I do for a dying.
Remove the bitter sediment
trapped in the brewer. It will be new
whether you make it new
or not. It will be full of neo-
We cannot push ourselves away
from this quiet, even in our sprees
of inattention, the departing passengers
stubbing out their smokes, arrivees in tears,
lots of cellophane, the rumpus over parking.
The King asks, “Tell me, what is the highest meaning of the holiest truths?”
The Seer answers, “Emptiness, without holiness.”
The King is a restless seeker.
The Seer is a ruler and thief.
I am seriously watching how trees are always missing some leaves.
They sweep the air looking for them. Nothing distracts them. Nothing.
Where leaves are missing between the branches, beautiful sun porches,
which disappear when the tree reaches them.
“Who are you?” the King asks.
“It is not like that,” the Seer says.
The burden of hard hitting. Slug away
Like Honus Wagner or like Tyrus Cobb.
Else fandom shouteth: “Who said you could play?
Back to the jasper league, you minor slob!”
Swat, hit, connect, line out, get on the job.
Else you shall feel the brunt of fandom’ s ire
Biff, bang it, clout it, hit it on the knob —
This is the end of every fan’ s desire.
Every day I peruse the box scores for hours
Sometimes I wonder why I do it
Since I am not going to take a test on it
And no one is going to give me money
The pleasure’ s something like that of codes
Of deciphering an ancient alphabet say
So as brightly to picturize Eurydice
In the Elysian Fields on her perfect day
The day she went 5 for 5 against Vic Raschi
Dreams brimming over,
childhood stretched out in legs,
this is the moment replayed on winter days
when frost covers the field,
when age steals away wishes.
Glorious sleep that seeps back there
to the glory of our baseball days.
On the rough diamond,
the hand-cut field below the dog lot and barn,
we rehearsed the strict technique
of bunting. I watched from the infield,
the mound, the backstop
as your left hand climbed the bat, your legs
and shoulders squared toward the pitcher.
You could drop it like a seed
down either base line. I admired your style,
but not enough to take my eyes off the bank
that served as our center-field fence.
Distance brings proportion. From here
the populated tiers
as much as players seem part of the show:
a constructed stage beast, three folds of Dante’ s rose,
or a Chinese military hat
cunningly chased with bodies.
“Falling from his chariot, a drunk man is unhurt
because his soul is intact. Not knowing his fall,
he is unastonished, he is invulnerable.”
So, too, the “pure man”“pure”
in the sense of undisturbed water.
