Alliteration

The fallen Latte is the sign. It is from within the row of Latte that
we feel our strength. It is the severed capstone that gives us Their
message, "Ti monhayon I che'cho." We will not rest until the
Latte is whole.

— Cecilia C. T. Perez from "Signs of Being: A Chamoru
Spiritual Journey" (1997)

~

i haligi
a pillar

i tasa
a capstone

i tataotao
a body

~

his hands —
husk coconut —

cooks and
feeds [us] —

stories — this
raised house —

at quarry
outline forms

From the far star points of his pinned extremities,
cold inched in — black ice and squid ink —
till the hung flesh was empty.
Lonely in that void even for pain,
he missed his splintered feet,
the human stare buried in his face.
He ached for two hands made of meat
he could reach to the end of.
In the corpse’ s core, the stone fist
of his heart began to bang
on the stiff chest’ s door, and breath spilled
back into that battered shape. Now

Where does such sadness in wood come
from? How could longing live in these
wires? The box looks like the most fragile
coffin tuned for sound. And laid
across the knees of this woman
it looks less like a baby nursed
than some symbolic Pietà,
and the stretched body on her lap
yields modalities of lament
and blood, yields sacrifice and sliding
chants of grief that dance and dance toward
a new measure, a new threshold,
a new instant and new year which
we always celebrate by
remembering the old and by

Take a statement, the same as yesterday’ s dictation:
Lately pain has been there waiting when I awake.
Creative despair and failure have made their patient.
Anyway, I’ m afraid I have nothing to say.
Those crazy phrases I desecrated the paper
With against the grain... Taste has turned away her face
Temporarily, like a hasty, ill-paid waitress

Not Delft or
delphinium, not Wedgewood
among the knickknacks, not wide-eyed chicory
evangelizing in the devil strip —

But way on down in the moonless
octave below midnight, honey,
way down where you can't tell cerulean
from teal.