Colonel Cold strode up the Line
(tabs of rime and spurs of ice);
stiffened all that met his glare:
horses, men and lice.
Visited a forward post,
left them burning, ear to foot;
fingers stuck to biting steel,
toes to frozen boot.
Stalked on into No Man’ s Land,
turned the wire to fleecy wool,
iron stakes to sugar sticks
snapping at a pull.
Those who watched with hoary eyes
saw two figures gleaming there;
Hauptmann Kälte, colonel old,
gaunt in the grey air.
I
GLOOM!
An October like November;
August a hundred thousand hours,
And all September,
A hundred thousand, dragging sunlit days,
And half October like a thousand years...
And doom!
That then was Antwerp...
In the name of God,
How could they do it?
Those souls that usually dived
Into the dirty caverns of mines;
Who usually hived
In whitened hovels; under ragged poplars;
Who dragged muddy shovels, over the grassy mud,
Lumbering to work over the greasy sods...
The castle clock had tolled midnight:
With mattock and with spade,
And silent, by the torches’ light,
His corse in earth we laid.
The coffin bore his name, that those
Of other years might know,
When earth its secrets should disclose,
Whose bones were laid below.
I have been cherish’ d and forgiven
By many tender-hearted,
’ Twas for the sake of one in Heaven
Of him that is departed.
Because I bear my Father’ s name
I am not quite despised,
My little legacy of fame
I’ ve not yet realized.
These days are best when one goes nowhere,
The house a reservoir of quiet change,
The creak of furniture, the window panes
Brushed by the half-rhymes of activities
That do not quite declare what thing it was
Gave rise to them outside. The colours, even,
Accord with the tenor of the dayyes, ‘grey’
You will hear reported of the weather,
But what a grey, in which the tinges hover,
About to catch, although they still hold back
The blaze that's in them should the sun appear,
And yet it does not. Then the window pane
All afternoon the shadows have been building
A city of their own within the streets,
Carefully correcting the perspectives
With dark diagonals, and paring back
Sidewalks into catwalks, strips of bright
Companionways, as if it were a ship
This counter-city. But the leaning, black
Enjambements like ladders for assault
Scale the façade and tie them to the earth,
Confounding fire-escapes already meshed
In slatted ambiguities. You touch
The sliding shapes to find which place is which
Three jets are streaking west:
Trails are beginning to fray already:
The third, the last set out,
Climbs parallel a March sky
Paying out a ruled white line:
Skywriting like an incision,
Such surgical precision defines
The mile between it and the others
Who have disappeared leaving behind
Only their now ghostly tracks
That still hold to the height and map
They say it is waiting for more, the snow
Shrunk up to the shadow-line of walls
In an arctic smouldering, an unclean salt,
And will not go until the frost returns
Sharpening the stars, and the fresh snow falls
Piling its drifts in scallops, furls. I say
Snow has left its own white geometry
To measure out for the eye the way
The land may lie where a too cursory reading
This poem originally appeared in the September 1988 issue of Poetry. See it in its original context.
Perfect little body, without fault or stain on thee,
With promise of strength and manhood full and fair!
Though cold and stark and bare,
The bloom and the charm of life doth awhile remain on thee.
Thy mother’ s treasure wert thou; — alas! no longer
To visit her heart with wondrous joy; to be
Thy father’ s pride; — ah, he
Must gather his faith together, and his strength make stronger.
