The pianist Joe Sullivan,
jamming sound against idea
hard as it can go
florid and dangerous
slams at the beat, or hovers,
drumming, along its spikes;
in his time almost the only
one of them to ignore
the chance of easing down,
walking it leisurely,
he’ ll strut, with gambling shapes,
underpinning by James P.,
amble, and stride over
gulfs of his own leaving, perilously
toppling octaves down to where
the chords grow fat again
greetings
as the door opened
ticking
please listen to this
food alone for all
the f. b. i. will continue
maybe you dozed off
i hung by that phone all night
suppose he talks
*
vida
later
aria
*
once upon a time
not looking for any thing
*
you’ re on
your own
it’ s off
it’ s on
*
perhaps it means
ragged like that
golda my-yeer
pre-meer
*
and pour the old box
down a drain
*
lonely as four cherries on a tree
at night, new moon, wet roads
a moth or a snowflake
whipping past glass
lonely as the red noses of four clowns
thrust up through snow
their shine four whitened panes
drawn from imagined memory
lonely as no other lives
touching to recorded water
all objects stare
their memories aware
lonely as pain
recoiling from itself
imagining the cherries
and roses reaching out
1. gone to lunch back in five minutes
night closed in on my letter of resignation
out in the square one of my threads had broken loose
the language i used was no and no
while the yellow still came through, the hammer and the drills
occasionally the metabolism alters
and lines no longer come express
waiting for you what muscles work me
which hold me down below my head?
it is a long coat and a van on the horizon
a bird that vanishes the arabic
i learn from observation is how to break the line
Celebrated, the moustache,
And near enough ignored
His “beautiful hands”.
Capable on a keyboard, improvised
A polonaise, his own artistic
Compositions “dull and decent”.
He could see, some, but much swam, out there:
Knives and forks, print, street signs.
Then, his mind made up, he laid about,
Sank immense nets into the cultural acid.
When we winched them back in, on fingertips,
They rippled with rainbows — herring and sprat
Sometimes you watch them going out to sea
On such a day as this, in the worst of weathers,
Their boat holding ten or a dozen of them,
In black rubber suits crouched around the engine housing,
Tanks of air, straps and hoses, and for their feet
Enormous flippers.
She said the cornflake cake made her day,
she said a man cannot be blamed for being
unfaithful: his heart is not in tune with his
extremities and it’ s just the way his body
chemistry is. She said all sorts of things.
We saw a duck pond and a man with a tub
of maggots and a tub of sweet corn, we saw
the walled garden and the old-fashioned library
in the park, stopped for a cup of tea in a cafe
where we had the cornflake cake cut into halves
Various stars. Various kings.
Various sunsets, signs, cursory insights.
Many minute attentions, many knowledgeable watchers,
Much cold, much overbearing darkness.
Various long midwinter Glooms.
Various Solitary and Terrible Stars.
Many Frosty Nights, many previously Unseen Sky-flowers.
Many people setting out (some of them kings) all clutching at stars.
A sycamore on either side
In whose lovely leafage cried
Hushingly the little winds —
Thus was Mary’ s shrine descried.
“Sixteen Hundred and Twenty-Four”
Legended above the door,
“Pray, sweet gracious Lady, pray
For our souls,” — and nothing more.
Builded of rude gray stones and these
Scarred and marred from base to frieze
With the shrapnel’ s pounces — ah,
Fair she braved War’ s gaunt disease:
Amarantha sweet and fair
Ah braid no more that shining hair!
As my curious hand or eye
Hovering round thee let it fly.
Let it fly as unconfin’ d
As its calm ravisher, the wind,
Who hath left his darling th’ East,
To wanton o’ er that spicy nest.
