Free Verse

To Those Who Have Lost Everything

crossed
in despair
many deserts
full of hope

carrying
their empty
fists of sorrow
everywhere

mouthing
a bitter night
of shovels
and nails

“you’ re nothing
you’ re shit
your home’ s
nowhere” —

mountains
will speak
for you

rain
will flesh
your bones

green again
among ashes
after a long fire

started in
a fantasy island
some time ago

turning
Natives
into aliens

Archaeopteryx, an Elegy

As soon as possible, I will confront the wren’ s
doings, rinse the white streaks from the porch bricks
drawing lizards from their shade, the immediate
smell of water too much for all of us.
But first is lunch. The remains we’ ll scatter over
the driveway away from the bricks. Wrens come,
crusts from our dishes make drama. Then history.

El Olvido

It is a dangerous thing
to forget the climate of your birthplace,
to choke out the voices of dead relatives
when in dreams they call you
by your secret name.
It is dangerous
to spurn the clothes you were born to wear
for the sake of fashion; dangerous
to use weapons and sharp instruments
you are not familiar with; dangerous
to disdain the plaster saints
before which your mother kneels
praying with embarrassing fervor
that you survive in the place you have chosen to live:

Drawings: For John Who Said to Write about True Love

“The writer. It’ s a cul-de-sac,” you wrote that
winter of our nation’ s discontent. That first time
I found you, blue marble lying still in the trench, you, staked
in waiting for something, anything but the cell of your small
apartment with the fixtures never scrubbed, the seven great
named cats you gassed in the move. I couldn’ t keep them.
You explained so I understood. And what cat never loved
your shell-like ways, the claw of your steady fingers, firme
from the rasping of banjos and steady as it goes

First Thought

best thought, you had taught
me — a river runs through it,
the foot of the soul standing
stubbornly in the freeze, all
the shards of ice crumpling up
the banks, what survives
in the ignorance. Play it away.
Be ceremony. Be a lit candle
to what blows you. Outside,
the sun gives a favorite present,
mountain nests in ironic meadows,
otter takes off her shoes, the small
hands of her feet reaching, reaching; still,
far away people are dying. Crisp
one dollar bills fold another life.

Bright Pittsburgh Morning

This must happen just after I die: At sunrise
I bend over my grandparents' empty house in Hazelwood
and pull it out of the soft cindered earth by the Mon River.
Copper tubing and electric lines hang down like hairs.
The house is the size of a matchbox. I sprinkle bits
of broken pallets, seeded grass, fingernails, and tamarack
needles in the open door of the porch. I scratch a Blue Tip
and blow vowels of fire through the living room,
the tunneled hallway. Flames run up the wooden stairs.
I put my ear beside the hot kitchen window

Teusaquillo, 1989

Flowering sietecueros trees:
How easily we married ourselves
to the idea of that bruised light
outside the window,
capillary
fibers of the linen,
stained wood of the door frame.
Deepening hallway.
Beyond
the stucco portal,
crushed purple.

At night, tinnitus
we thought,
the ringing after an explosion,
a frenzied inner ear axle squeal,
until I placed my stethoscope's bell
on the purpled ceiling:

Calling the White Donkey

I called the white donkey that hurt my left shoulder
the last time it appeared, ramming me
with its ivory head, cracking my back
to relieve me of worry and hope.
I called the white donkey,
surprised at the sound of my voice.
Scared, I wondered if the white head
would give me its donkey brain,
snowy matter dripping into my ears
like the horse of the first man who fell off,
the donkey teaching me about desire
and the moan, that white hair on the back
of my head that warns me.

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