I have written a couple of poems about trees
poems about trees and snakes and lakes and birds
poems about nature and life in New England
I write crappy poems and eat babies
if you like poems about trees you’ re in for a treat
when I get nervous I get hyper and bump into people
I read to them what MapQuest gave me
round during then in the mom seeker panties
to help me narrow down the slut thing word jobs
rawr I’ m too stupid to be able to make my point clear
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
We were dreaming on an occupied island at the farthest edge
of a trembling nation when it went down.
Two towers rose up from the east island of commerce and touched
the sky. Men walked on the moon. Oil was sucked dry
by two brothers. Then it went down. Swallowed
by a fire dragon, by oil and fear.
Eaten whole.
It was coming.
We had been watching since the eve of the missionaries in their
long and solemn clothes, to see what would happen.
As it would for a prow, the basin parts with your foot.
Never a marsh, of heron blue
but the single red feather
from the wing of some black bird, somewhere
a planked path winds above water,
the line of sky above this aching space.
Movement against the surface
is the page that accepts no ink.
A line running even
over the alternating depths, organisms, algae,
a rotting leaf.
When did I learn the word “I”?
What a mistake. For some,
it may be a placeholder,
for me it’ s a contagion.
For some, it’ s a thin line, a bare wisp,
just enough to be somewhere
among the gorgeous troublesome you’ s.
For me, it’ s a thorn, a spike, its slimness
a deceit, camouflaged like a stick insect:
touch it and it becomes what it is:
ravenous slit, vertical cut, little boy
standing upright in his white
communion suit and black secret.
A charm,
a dream of protection.
Gurgles hold the night light’ s glow.
A stream of clouds
misting the branching tubes.
Water, in fog, a tub, plug to
wire in the wall saying
Okay, it’ s okay all night.
* * *
“Burnished,” when applied to limbs,
refers you to furniture, or wood
at least, a hint the skin has been burned
beyond the human, & then beyond.
Necessary for the removal of skin
from a burnished limb is an implement
sharper rather than duller, wieldy
& willing to dig without displacement.
The scrape of flint on a burnished limb
— if you say “arm” you must mean it —
resembles, no doubt, a chisel (of iron?)
that furls what’ s before it, away.
They say I am excitable! How could
I not scream? The Swiss monk’ s tonsure
spun till it blurred yet his eyes were still.
I snapped my gaiter, hard, to stuff back
my mirth. Lords, he then began to speak.
Indus catarum, he said, presenting the game of cards
in which the state of the world is excellent described
and figured. He decked his mouth
as they do, a solemn stitch, and left cards
in my hands. I cast them down.
What need have I for amusement?
My brain’ s a park. Yet your company
Begins in interruption:
an ambulance bell at the center
of sleep, the room tilts
sideways, furniture slides,
an octet of amber blue
verres à liqueur, one with a cut
at the lip, clatters as a quaalude
light in tatters mattes the
curtains ormolu:
I miss you
is what I want to say
like a rocket
stocked from the Reagan
years, its radar gone haywire,
wiring fried but
live inside a bunker of some
Grayscale breath on a fluid
field, with lo-fi
rainpatter — petrol blue — ,
a 60-watt sun uns
-crewed from the
woebegone sky: rip-
rap & coal slurries,
dragline & loess, what phosphor
-us is a semaphore
for, silklike
in its acoustic shadows
