Its quiet graves were made for peace till Gabriel blows his horn.
Those wise old elms could hear no cry
Of all that distant agony —
Only the red-winged blackbird, and the rustle of thick ripe corn.
The blue jay, perched upon that bronze, with bright unweeting eye
Could never read the names that signed
The noblest charter of mankind;
But all of them were names we knew beneath our English skies.
God save America,
My home, sweet home!
We are not hostages, America,
and your soldiers are not God's soldiers...
We are the poor ones, ours is the earth of the drowned gods,
the gods of bulls,
the gods of fires,
the gods of sorrows that intertwine clay and blood in a song...
We are the poor, ours is the god of the poor,
who emerges out of farmers' ribs,
hungry
and bright,
and raises heads up high...
It was there, the elemental center,
All the time. Eternally present, repeating itself
Like seasons, where the times and dates
For swallows and household fires are written down,
Here they stood, whom the Kecoughtan first believed
gods from another world, one pair of longjohns
each, bad-yellow, knotted with lice,
the godless, bandy-legged runts
with ear bit off, or eye gouged,
who killed and prayed
over whatever flew, squatted, or swam.
Thousands of planes were flying and then
they stopped. We spend days moving our eyes
across makeshift desks, we sit on a makeshift floor;
we prepare for almost nothing that might happen.
Early on, distant relations kept calling.
Now, nothing: sound of water
tippling a seawall. Nothing: sparks
lighting the brush, sparks polishing the hail,
the flotsam of cars left standing perfectly still.
Thud of night bird against night air,
there you are on the porch, swath
of feathers visible through the glass,
Did they enjoy this, those honorary ancestors
Of ours, whom we may not speak of as Indians now,
But, rather, as Native Americans? Did they, that is,
Have the opportunity to take in such views?
For there were no roads then, slicing through
The hills, opening vistas like this. Astonishing!
Unless, perhaps, they were upon the Delaware,
A kind of road itself. But, otherwise, would not
The land itself have been an inconvenience,
The changing leaves an oracle of cruelties
To come and not, as for the tourists on a bus,
The kids should visit a history museum
in their senior year, to understand disgrace as
one form of Clinton’ s victory. On the other hand
the European Community foreign debt gives
everybody bad dreams. So we do need to solve
the problem of students reading difficult things
that will lead them astray: why did Rimbaud
turn from socialism to capitalism? As if
A chicken soup for the rainbow lover’ s soul.
A chicken soup for the lover of chicken soup.
A carnage of birds, a devastation.
Chicken soup for the dried-up garden —
It’ s been a lousy summer sucking us dry.
Chicken soup for the grocery list.
Chicken soup for unwanted potatoes.
Chicken soup for extinct animals.
If the nose of the pig in the market of Firenze
has lost its matte patina, and shines, brassy,
even in the half light; if the mosaic saint
on the tiles of the Basilica floor is half gone,
worn by the gravity of solid soles, the passing
of piety; if the arms of Venus have reentered
the rubble, taken by time, her perennial lover,
mutilating even the memory of beauty;
When History turns soldiers into battles, you turn them into grass.
Bashō, Sweet, is it honorable? But for these men who died with grunts
and clangs in their ears, for their horses with snapped legs, I haven’ t got
the art to make them into anything. I fold the grass in the shape
of a man, very literal, very primitive and leave it on
the field and say, “Forgive me valorous men for my ineptitude.”
Just then, the little man falls down in the wind and — huh! — there is art.
