as if it were a scene made-up by the mind,
that is not mine, but is a made place,
that is mine, it is so near to the heart,
an eternal pasture folded in all thought
so that there is a hall therein
that is a made place, created by light
wherefrom the shadows that are forms fall.
Through the branches of the Japanese cherry
Blooming like a cloud which will rain
A rain white as the sun
The living room across the roadway
Cuts its square of light
And in it fight
Two figures, hot, irate,
Stuck between sink and sofa in that golden cage.
Come out into the night, walk in the night,
It is for you, not me.
The cherry flowers will rain their rain as white
Cool as the moon.
Listen how they surround.
You swing among them in your cage of light.
My black face fades,
hiding inside the black granite.
I said I wouldn't
dammit: No tears.
I'm stone. I'm flesh.
My clouded reflection eyes me
like a bird of prey, the profile of night
slanted against morning. I turn
this way — the stone lets me go.
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
I cannot change, as others do,
Though you unjustly scorn;
Since that poor swain, that sighs for you
For you alone was born.
No, Phyllis, no, your heart to move
A surer way I’ ll try:
And to revenge my slighted love,
Will still love on, will still love on, and die.
All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv’ n o’ er,
Whose images are kept in store
By memory alone.
The time that is to come is not;
How can it then be mine?
The present moment’ s all my lot;
And that, as fast as it is got,
Phyllis, is only thine.
For whom the possessed sea littered, on both shores,
Ruinous arms; being fired, and for good,
To sound the constitution of just wars,
Men, in their eloquent fashion, understood.
Leave me, O Love, which reachest but to dust;
And thou, my mind, aspire to higher things;
Grow rich in that which never taketh rust;
Whatever fades but fading pleasure brings.
Draw in thy beams and humble all thy might
To that sweet yoke where lasting freedoms be;
Which breaks the clouds and opens forth the light,
That both doth shine and give us sight to see.
O take fast hold; let that light be thy guide
In this small course which birth draws out to death,
And think how evil becometh him to slide,
Ring out your bells, let mourning shows be spread;
For Love is dead
All love is dead, infected
With plague of deep disdain;
Worth, as nought worth, rejected,
And Faith fair scorn doth gain.
From so ungrateful fancy,
From such a female franzy,
From them that use men thus,
Good Lord, deliver us!
It is the right time for hallucinations.
Drowning in a sty, the sailor
feels the ocean’ s buoyancy.
Dying in a web, the moth
discards its wings and falls free.
I wish something would put its hands on me,
give me stronger poison and then stronger.
The beautiful flotillas do not stop.
Undying love drifts and delays.
I am capsizing.
Great joy lingers still.
Nothing can be said for suffering.
It is legible only to strangers
and at great distances. It detests
survivors. It drapes gun-carriages
