This is Tarsus, one place like anyplace else.
And this is my circuit, the rodeo, fair.
The farmboys blow through here in pickups, wild
as horses in their oat sacks.
The women wear spurs.
In the trailers the cattle are pounding for air.
Skipping out from the major international cocktail party
with my becleavaged blight, a jeroboam in her tight fist,
I broke open my copy of Sarcasm for Beginners, i. e., men.
Never had I seen so many pairs of to-the-elbow gloves.
Never did I see a puttoed ceiling groan so with thin talk
as the great, the grim and the gone pressed terrible flesh,
so many penguins offering tastesome wisps and skimps
from doilied salvers: cherry-shaded caviar, cheese puffs,
dark sugared berries, dainty octopods, gently vinegared,
My throat is full of sparklers
making me a lighthouse
for a loveship that can fly
Our mother monarchy
sweet land paternity
I’ ll eat their offspring’ s money and let you have a bite
When we talk about when to tell the kids,
we are so together, so concentrated.
I mutter, “I feel like a killer.” “I’ m
the killer” — taking my wrist — he says,
holding it. He is sitting on the couch,
the old indigo chintz around him,
rich as a night sea with jellies,
I am sitting on the floor. I look up at him,
as if within some chamber of matedness,
some dust I carry around me. Tonight,
to breathe its Magellanic field is less
painful, maybe because he is drinking
a wine grown where I was born — fog,
you dream in the language of dodging bullets and artillery fire.
new, sexy diagnoses have been added to the lexicon on your behalf
(“charlie don’ t surf,” has also been added to the lexicon on your behalf).
in this home that is not our home, we have mutually exiled each
other. i walk down your street in the rain, and i do not call you. i
walk in the opposite direction of where i know to find you. that we
do not speak is louder than bombs.
The man behind the book may not be man,
His own man or the book’ s or yet the time’ s,
But still be whole, deciding what he can
In praise of politics or German rimes;
But the intellectual lights a cigarette
And offers it lit to the lady, whose odd smile
Is the merest hyphenlest he should forget
What he has been resuming all the while.
He talks to overhear, she to withdraw
To some interior feminine fireside
Where the back arches, beauty puts forth a paw
Like a black puma stretching in velvet pride,
If you undo your do you would
be strange. Hair has been on my mind.
I used to lean in the doorway
and watch my stony woman wind
the copper through the black, and play
with my understanding, show me she cóuld
take a cup of river water,
and watch it shimmy, watch it change,
turn around and become ash bone.
Wind in the cottonwoods wakes me
to a day so thin its breastbone
The first seated takes the chance he’ ll be
stood up. She’ s getting on with the hope she may
get off. One and one make one
in this riddle. Or, more closely, comedy routine:
first, impressions; second, observations.
Impolite to have thirds. Bachelors and bachelorettes
beware: more than tonight they can mess up your order.
Who would go for the lobster expects the claws.
No pets allowed, keep your shirt on, places this strict —
like loony bins — require a jacket, sir. Mark sudden pauses,
He was touched or he touched or
she did and was, or they were
and would. Or the room could, its
three doors, two windows or
the house on a slant touching,
touched by the drift down street, cars
pressing quick or slowing. All along
the town touched a river, the river
At the table, at the grave not knowing
whether to grieve or celebrate, they seemed
to find a way within the stalled noon clatter
and the dusk over oily swamps and elder tangle
along a locked stockade of heavy machines,
as the blue heron, looking down, flew farther on.
Nothing dissolved for them the mortal green
and black in transparent power of spacious streams
now gone from earth. The flickering they found,
terror-hope-terror, in fire of sunset clouds
remained unwavering in its progress to night
