Rhapsody in Plain Yellow
for my love, Charles (1938-2000)
Say: 言
for my love, Charles (1938-2000)
Say: 言
Now, when he and I meet, after all these years,
I say to the bitch inside me, don’ t start growling.
He isn’ t a trespasser anymore,
Just an old acquaintance tipping his hat.
My voice says, “Nice to see you,”
As the bitch starts to bark hysterically.
He isn’ t an enemy now,
Where are your manners, I say, as I say,
“How are the children? They must be growing up.”
At a kind word from him, a look like the old days,
We who must act as handmaidens
To our own goddess, turn too fast,
Trip on our hems, to glimpse the muse
Gliding below her lake or sea,
Are left, long-staring after her,
Narcissists by necessity;
A Girl,
Her soul a deep-wave pearl
Dim, lucent of all lovely mysteries;
A face flowered for heart’ s ease,
A brow’ s grace soft as seas
Seen through faint forest-trees:
A mouth, the lips apart,
Like aspen-leaflets trembling in the breeze
From her tempestuous heart.
Such: and our souls so knit,
Let us tunnel
Through the rubble,
Through the thrum.
Let us rut through the sum
Of who we were,
Or are,
Or will be in the years to come:
A couple
Of someones
Who used to be in love.
Used to be in love.
Ho. Hum.
These days: Seem to be in hate.
Gypsum, marble, pyrite, slate.
See here. A pit of snakes.
Look there. The rock of your rages.
And I’ m in a cable-cage, slinking down your shaft.
You fondle that hefty What if...? as if
First
it is one day without you.
Then two.
And soon,
our point: moot.
And our solution, diluted.
And our class action (if ever was)
is no longer suited.
Wherewith I give to looting through
the war chest of our past
like a wily Anne Bonny
who snatches at plunder or graft.
But the wreck of that ransack,
that strongbox, our splintering coffer,
the claptrap bastard
of the best we had to offer,
is sog-soaked and clammy,
empty but for sand.
Dark thing,
make a myth of yourself:
all women turn into lilacs,
all men grow sick of their errant scent.
You could learn
to build a window, to change flesh
into isinglass, nothing
but a brittle river, a love of bone.
You could snap like a branch — No,
this way, he says, and the fence
releases the forest,
and every blue insect finds an inch of skin.
He loves low voices, diffidence
on the invented trail,
the stones you fuck him on. Yes
to sweat’ s souvenir, yes to his fist
A stick of carrot is equal to a gillyflower.
A gillyflower is equal to a drum of gasoline.
A drum of gasoline is equal to a stick of carrot.
“For the sake of my offspring, I think I’ ll marry an outsider.”
Tamerlane has been sighted in Northern Italy.
Jesus has broken out in Inner Mongolia.
They like to kiss outside and piss inside.
We like to kiss inside and piss outside.
Then one day she noticed the forest had begun to bleed into her waking life.
There were curved metal plates on the trees to see around corners.
She thought to brush her hand against his thigh.
She thought to trace the seam of his jeans with her thumbnail.
The supersaturated blues were beginning to pixillate around the edges, to
become a kind of grammar.
She placed a saucer of water under her lamp and counted mosquitoes as
they drowned.
My hair, voluminous from sleeping in
six different positions, redolent with your scent,
helps me recall that last night was indeed real,
that it's possible for a bedspread to spawn
a watershed in the membrane that keeps us
shut in our own skins, mute without pleasure,
that I didn't just dream you into being.
You fit like a fig in the thick of my tongue,
give my hands their one true purpose,
find in my shoulder a groove for your head.
In a clinch, you're clenched and I'm pinched,
we're spooned, forked, wrenched, lynched