A. F. Moritz

Your parents had reached a long slow time,
as animals do, the great center of their lives,
when they gleam in their fells as though eternally,
unchanging. Or as a day can seem eternal
if you lie and watch the full clouds, conscious
of your own time: you soon must get up and leave.
So father, mother, the small shabby town,
its patch of earth going on as though forever: you
forgot them there, where they’ d been since you started out
and where you could find them again — as anyone
forgets what he has to lean on

Child
one with the sun
in trackless fields
of yellow grass and thistle, scent
of humid heavy air and the wing music
of bees and flies.

Child, slender
nakedness to itself unknown,
true colour of the light
dispersed invisibly
or glowing around the black hulls
of distant thunderheads, around
the grasshopper’ s countenance,
solemn, vigilant and wise.

About the age of twenty, when the first hairfall
signals that nature is finished with the organism
and we just begin to conceive the use of women
(having been all this time
more enamored of the fountain than the cistern),
we retire to nursing homes,
whether they be kaleidoscopic gardens
aimed like a blunderbuss of hermeticism at our neighbors,
or a desperate dream safari through old Zambesi,
where the suicidal waves of angry natives
give the illusion that we are advancing rapidly,

You that I loved all my life long,
you are not the one.
You that I followed, my line or path or way,
that I followed singing, and you
earth and air of the world the way went through,
and you who stood around it so it could be
the way, you forests and cities,
you deer and opossums struck by the lonely hunter
and left decaying, you paralyzed obese ones
who sat on a falling porch in a deep green holler
and observed me, your bald dog barking,
as I stumbled past in a hurry along my line,
you are not the one. But you