Nature

We can never be with loss too long.
Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing upon the stone crucifix,
singing: “I am marvelous alone!”
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon’ s flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel’ s skull green.
The cemetery expands its borders —
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong; and light,

Unfastened avidly from each ivory button
of her spine, the voluntary muscles open
virtuosities of red: Cinnabar

the mutagen, and carmine from cochineal
born between fog and frost, so many little
deaths Buddhists refuse to wear

Never the bark and abalone mask
cracked by storms of a mastering god,
never the gods’ favored glamour, never
the pelagic messenger bearing orchards
in its beak, never allegory, not wisdom
or valor or cunning, much less hunger
demanding vigilance, industry, invention,
or the instinct to claim some small rise
above the plain and from there to assert
the song of another day ending;
lentil brown, uncounted, overlooked
in the clamorous public of the flock
so unlikely to be noticed here by arrivals,

Alone with time, he waits for his parents to wake,
a boy growing old at the dining room table,

pressing into the pages of one of his father's big books
the flowers he picked all morning

in his mother's garden, magnolia, hibiscus,
azalea, peony, pear, tulip, iris;

reading in another book their names he knows,
and then the names from their secret lives;

lives alchemical, nautical, genital;
names unpronounceable fascicles of italic script;

secrets botanical
description could never trace:

There might be the quibble of birds and the swag
Of a river and a distantly belled
Altar of animals, softly spoken;
Certainly cattail, sumac, and fern
Would rise from the marshes nearby, revealed
In forms too perfect to envy trees —
Not trying for larger and larger keepsakes.

“Wake to the sun,” the rooster croaked,
First bird of the day. The world, light-flecked,
Chiselled its lineaments into form.
Where was all that fine light coming from?

“Trance at the wonder,” the second sang.
Whose five dry notes urged the ongoing
Afternoon on. “Why wake and stir?”
It asked. And asked. There was no answer.

“Live through the muddle.” That from the next one.
Not very helpful. It looked like rain,
Or fog in the offing. Twilight. Then
It sang again from an oak or pine.

“Painting a wave requires no system,”
The painter said, painting a wave.
“Systems may get you flotsam and jetsam,
Seaweed and so forth. But never a wave.”

There was a scroll or fine-lined curve
On the canvas first, and then what looked
Like hair flying or grayish nerves,
Which began to move as the painter worked.

“Painting the sea is a lot of trouble;
It never stops still for a moment, so
I try to make it internal, mental,
As though I stopped it, then let it go.”

Whether it was a particular beauty
Stirred the tearfall from the eyelid’ s rim,
Rinsing the world once more with self,
Was it not there the general peered,
Thousand-eyed, down from the peak
In the last of all imaginary sunsets?
The light divided in half, the half
Divided again in half, the way
Zeno’ s paradox makes nothing move
Because an infinity of points between
Target and arrow, though never seen,
Exists. And there is snow in a capsule,
A solid floor of individual
Flakes that, shaken, settle in a field —

Some bloodied sea-bird’ s hovering decay
Assails us where we lie, and lie
To make that symbol go away,
To mock the true north of the eye.
But lie to me, lie next to me;
The world is an infirmity.

Too much of sun’ s been said, too much
Of sea, and of the lover’ s touch,
Whole volumes that old men debauch.
But we, at the sea’ s edge curled,
Hurl back their bloody world.
Lie to me, like next to me,

Pushed prow southerly into the golden wind:

hurt the eyes: gold pelted water: so looked less far away:

plovers huddling on the tide's last piece of shore:

Rise up in brightness: clap wings::

I told myself I'll go where eagles go: if to brimstone:

my wake a narrow river back

to its source in cedar: and when sunlight embers

the shore's soft fleece will be before me.