It is autumn but early. No crow cries from the dry woods.
The house droops like an eyelid over the leprous hill.
In the bald barnyard one horse, a collection of angles
Cuts at the flies with a spectral tail. A blind man’ s
Sentence, the road goes on. Lifts as the slope lifts it.
Comes now one who has been conquered
By all he sees. And asks what — would have what —
Poor fool, frail, this man, mistake, my hero?
Nature, which is the vast creation’ s soul,
That steady curious agent in the whole,
The art of Heaven, the order of this frame,
Is only number in another name.
For as some king conqu’ ring what was his own,
Hath choice of several titles to his crown;
So harmony on this score now, that then,
Yet still is all that takes and governs men.
Beauty is but composure, and we find
Content is but the concord of the mind,
Friendship the unison of well-turned hearts,
Honor the chorus of the noblest parts,
A gust roused the waves,
leaves blew into the water,
the waves were ash-gray,
the sky tin-gray,
ash-gray the autumn.
It was good for my heart:
there my feelings were ash-gray,
the sky tin-gray,
ash-gray the autumn.
The breath of wind brought cooler air,
the waves of mourning brought separation:
autumn and autumn
befriend each other.
If one takes
a walk on a clear sunny
day in middle April,
when the first
willows are in bloom,
one may often see
young bumblebee queens
eagerly sipping
nectar from the catkins —
thus begins
the one book written
by Otto Emil Plath.
It is a delightful thing
to pause and watch
these queens, clad
Always the evening noises, the footsteps on the stairs, the day that rises in the throat.
A turn of the key will expel the world.
Against the extinct forest of furniture, the channeled bloodstream translates the dream into this small life.
In the end we shrink until finally we can no longer inhabit the gestures of our childhood.
A nail in a board: the remains of a fence; blurred memory of the mountain that raised the tree, that brooded over its ore.
This is a year of poppies: our land
was brimming with them as May burned
into June and I returned —
a sweet dark wine that made me drunk.
From clouds of mulberry to grains to grasses
ripeness was all, in the fitting
heat, in the slow drowsiness spreading
through the universe of green.
My life half over I saw grown sons
setting off alone and vanishing from sight
beyond the prison the flight
of the swallow makes in the spent
And it grows, the vain
summer,
even for us with our
bright green sins:
behold the dry guest,
the wind,
as it stirs up quarrels
among magnolia boughs
and plays its serene
tune on
the prows of all the leaves —
and then is gone,
leaving the leaves
still there,
the tree still green, but breaking
the heart of the air.
They’ ve perched for hours
on that window-ledge, scarcely
moving. Beak to beak,
a matched set, they differ
almost imperceptibly —
like salt and pepper shakers.
It’ s an event when they tuck
(simultaneously) their pinpoint
heads into lavender vests
of fat. But reminiscent
of clock hands blandly
turning because they must
If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
Our sweet companions — sharing your bunk and your bed
The versts and the versts and the versts and a hunk of your bread
The wheels' endless round
The rivers, streaming to ground
The road...
Oh the heavenly the Gypsy the early dawn light
Remember the breeze in the morning, the steppe silver-bright
Wisps of blue smoke from the rise
And the song of the wise
Gypsy czar...
