Spring

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird’ s cry at daylight or before,
In the early March wind

The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.

It was not from the vast ventriloquism
Of sleep’ s faded papier mâché...
The sun was coming from outside.

That scrawny cry — it was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Grieve not that winter masks the yet quick earth,
Nor still that summer walks the hills no more;
That fickle spring has doffed the plaid she wore
To swathe herself in napkins till rebirth.

These buddings, flowerings, are nothing worth;
This ermine cloud stretched firm across the lakes
Will presently be shattered into flakes;
Then, starveling world, be subject to my mirth.

Siwashing it out once in Siuslaw Forest

the green of Jesus
is breaking the ground
and the sweet
smell of delicious Jesus
is opening the house and
the dance of Jesus music
has hold of the air and
the world is turning
in the body of Jesus and
the future is possible

in Just-
spring when the world is mud-
luscious the little
lame balloonman

whistles far and wee

and eddieandbill come
running from marbles and
piracies and it's
spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing

from hop-scotch and jump-rope and

it's
spring
and

When daisies pied and violets blue
And lady-smocks all silver-white
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men; for thus sings he:
“Cuckoo;
Cuckoo, cuckoo!” O, word of fear,
Unpleasing to a married ear!

Beneath these fruit-tree boughs that shed
Their snow-white blossoms on my head,
With brightest sunshine round me spread
Of spring's unclouded weather,
In this sequestered nook how sweet
To sit upon my orchard-seat!
And birds and flowers once more to greet,
My last year's friends together.

It’ s spring in 1827, Beethoven
hoists his death-mask and sails off.

The grindstones are turning in Europe’ s windmills.
The wild geese are flying northwards.

Here is the north, here is Stockholm
swimming palaces and hovels.

The logs in the royal fireplace
collapse from Attention to At Ease.

Peace prevails, vaccine and potatoes,
but the city wells breathe heavily.

Privy barrels in sedan chairs like paschas
are carried by night over the North Bridge.

Ever let the Fancy roam,
Pleasure never is at home:
At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let winged Fancy wander
Through the thought still spread beyond her:
Open wide the mind's cage-door,
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer's joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming;
Autumn's red-lipp'd fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?

I dreamed that, as I wandered by the way,
Bare Winter suddenly was changed to Spring,
And gentle odours led my steps astray,
Mixed with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kissed it and then fled, as thou mightest in dream.