Poetry & Poets

Brooklyn, 1929. Of course Crane’ s
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment’ s relief
he goes to the window to look
down on the East River, darkening
below as the early night comes on.
Something flashes across his sight,
a double vision of such horror

Coming to Sumer and the tamarisks on the river
I Ezra with unsettling love
rifled the mud and wattle huts
for recent mournings
with gold leaves
and lapis lazuli beads
in the neat braids loosening from the skull
Looking through the wattles to the sun
I said
It has rained some here in this place
unless snow falls heavily in the hills
to do this
The floor was smooth with silt
and river weeds hanging gray
on the bent reeds spoke saying

It doesn't
matter

to me
if

poems mean
nothing:

there's no
floor

to the
universe

and yet
one

walks the
floor.

Sometimes I sit in my blue chair trying to remember
what it was like in the spring of 1950
before the burning coal entered my life.

I study my red hand under the faucet, the left one
below the grease line consisting of four feminine angels
and one crooked broken masculine one

and the right one lying on top of the white porcelain
with skin wrinkled up like a chicken's
beside the razor and the silver tap.

Long after Ovid’ s story of Philomela
has gone out of fashion and after the testimonials
of Hafiz and Keats have been smothered in comment
and droned dead in schools and after Eliot has gone home
from the Sacred Heart and Ransom has spat and consigned
to human youth what he reduced to fairy numbers
after the name has become slightly embarrassing
and dried skins have yielded their details and tapes have been

1

She was twenty-two. He was fifty-three,
a duke, a widower with ten children.

They met in Paris, each in exile from
the English Civil War. Virginal

and terrified, still she agreed
to marry him. Though women were mere chattel

spinsterhood made you invisible
in the sixteen hundreds. Marriage was arranged

— hers a rare exception. Despite a dowry
a woman never could own property.

Your womb was just for rent. Birth control
contrivances — a paste of ants, cow dung

Carpenters whose wives have run off
Are sometimes discovered weeping on the job.
But even then they don’ t complain of their work.

Whitman’ s father was a carpenter.
He was so happy hammering houses
That he jumped with a shout from the roof beam
And rolled with a yawp in the timothy.
This led his son to conclude wrongly
That all workmen are singers.

Even the flags seemed frozen
to their poles, and the men
stamping their well-shod feet
resembled an army of overcoats.

But we were young and fueled
by hope, our ardor burned away
the cold. We were the president’ s,
and briefly the president would be ours.

The old poet stumbled
over his own indelible words,
his breath a wreath around his face:
a kind of prophecy.

It seems like you could, but
you can’ t go back and pull
the roots and runners and replant.
It’ s all too deep for that.
You’ ve overprized intention,
have mistaken any bent you’ re given
for control. You thought you chose
the bean and chose the soil.
You even thought you abandoned
one or two gardens. But those things
keep growing where we put them —
if we put them at all.
A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,

Another drought morning after a too brief dawn downpour,
unaccountable silvery glitterings on the leaves of the withering maples —

I think of a troop of the blissful blessed approaching Dante,
“a hundred spheres shining,” he rhapsodizes, “the purest pearls…”

then of the frightening brilliants myriad gleam in my lamp
of the eyes of the vast swarm of bats I found once in a cave,

a chamber whose walls seethed with a spaceless carpet of creatures,
their cacophonous, keen, insistent, incessant squeakings and squealings