Social commentaries

At the End of My Hours

I

here I’ m here I’ m here I’ m

here here here here cricket

pulse — the katydidic tick

(and then a pause) tick

(and then a pause) in greening trees — tales

of a gratitude for water, the hollyhock’ s

trumpet Yes, Tenderness

her glove and hoe — her bad trip

love/grief, her medic tent

talking me down, kissed fissures

in the world’ s despair, what I’ d

loved — alive for a while — a day called

Rip and Brood, a day called

Glorious Hour, the long hunt and the worm found

Of What is Real

I like to lie with you wordless
on black cloud rooft beach
in late june 5 o’ clock tempest
on clump weed bed with sand
fitting your contours like tailor made

and I like to wash my summer brown face
in north cold hudson rapids
with octagon soap
knees niched in steamy rocks
where last night’ s frog stared
at our buddhist sleep

but most of all I like to see
the morning happen...

I Saw I Dreamt Two Men

I saw I dreamt

Two men hoisted hung up not American the rope
Not closed on their breathing

But this rope tied them spine to spine somehow

Suspended
From the mood of a tree not American they were

African Ugandan Nigerian

Without a license a right to touch
The sin their touching incites

And I heard their names called out Revision

Or Die and You Must Repent
And Forget the Lie you Lily-Boys you Faggots

Called up from the mob

Istanbul 1983

In the frozen square, the student asks me if I will
sell him the books from my backpack. He hides them
under his winter coat. Steam rises from the whole
wheat rolls we break open at the breakfast table.
We drink hot apple tea and pronounce the skyline
“charming.” In a jail a man counts the visible bones,
and recounts them in the blaze of morning. To turn
a self to light proves painful — each piece must
be dissected in turn; you pass through every feeling
imaginable, so many you might make a dictionary —

Attenuate the Loss and Find

name appears
everywhere and in dream
body armor removed

what now, legacy, archivum
we female archons preserve of
intensity a durance a hand you recognize
(sounds sound)
assurance as lives on

drank of that
drank of this
almost suffocated, then drowned
downed but never

what only she could only know
as herself living in the brute time

speak of a syntax of rendition?
the politics of Empire chip away
as poetry attests, give it up

History Will Decide

All writing around the sides the persons a galaxy all writing resounds a hot history. All writing is in fact cut-ups history will decide games heated and heated economic behavior. To rise up scene all sounds of Tahrir and inside supply side threatened. A long delineation. Longer than I would be counting. This, a whisper, this the end of whisper time. Rise up and wiser this the streets of the world. Commission overheard in spin a soldiering one. What streets of the world to spin rubric’ s yes yes commerce, no, a no, no. Tanks of the blown-off world.

François Villon on the Condition of Pity in Our Time

Frères humains qui après nous vivez,
Soon they’ ll have the speed freak twisting
On a scaffold, soon the birds
Will come to peck out his eyes, & when
He’ s too weak & exhausted to turn
His head away, they’ ll do it, too,
They’ ll peck his eyes right out.
You’ ll want to watch it happen, you’ ll want
To witness it. You’ ll want to see Paolo
And Francesca almost touch before
They’ re swept away again, him in one line
Waiting for rations, her in another one,
Both of  them naked, standing there,

crossword

a woman moves through dog rose and juniper bushes,
a pussy clean and folded between her legs,
breasts like the tips of her festive shoes
shine silently in her heavy armoire.

one blackbird, one cow, one horse.
the sea beats against the wall of the waterless.
she walks to a phone booth that waits
a fair distance from all three villages.

it’ s a game she could have heard on the radio:
a question, a number, an answer, a prize.
her pussy reaches up and turns on the light in her womb.

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