Thunderbride
My throat is full of sparklers
making me a lighthouse
for a loveship that can fly
Our mother monarchy
sweet land paternity
I’ ll eat their offspring’ s money and let you have a bite
My throat is full of sparklers
making me a lighthouse
for a loveship that can fly
Our mother monarchy
sweet land paternity
I’ ll eat their offspring’ s money and let you have a bite
‘Aber die Thronen, wo? Die Tempel, und wo die Gefäße,
Wo mit Nektar gefüllt, Göttern zu Lust der Gesang?
‘Someone’ s got it in for me’
for Jack Spicer
the fabber craftsman
I. THE FUNERAL MARCH (CHICAGO AND ORLEANS)
Groping along the tunnel, step by step,
He winked his prying torch with patching glare
From side to side, and sniffed the unwholesome air.
Tins, boxes, bottles, shapes and too vague to know;
A mirror smashed, the mattress from a bed;
And he, exploring fifty feet below
The rosy gloom of battle overhead.
Darkness: the rain sluiced down; the mire was deep;
It was past twelve on a mid-winter night,
When peaceful folk in beds lay snug asleep;
There, with much work to do before the light,
We lugged our clay-sucked boots as best we might
Along the trench; sometimes a bullet sang,
And droning shells burst with a hollow bang;
The poor have the best views,
Views sloping down to sea.
A green and yellow planet,
A blue band, rung with stars.
The poor have the best views.
You have to walk to get there.
Up three flights, narrow paths,
Houses rising steeply side to side.
No, no space for a car.
When the flag lifts, you see the coast:
Yellow curve of sand,
Framed by reaching branches.
Little humpbacked islands,
Soon they will drill for oil there,
Deep underwater. Once microscopic
Diatoms swarmed in salt, danced, died.
On the platter set out in the center of the Matyó-embroidered tablecloth
was the syringe. And around it was silence. My father
gazed at my mother, and she back at him. Slowly,
faltering, he began to speak. I was seized by
an unusual shuddering. I recall that he used the word fate,
and that if I consented to the injected dose,
we could all fall asleep. We would stay together
for all time. And evade the uncertainty in mortifying
desperation. A fifteen-year-old’ s desire to live
cried out in me: “No!” To which
1
I now release from my blood the bird of thirty she wasted
that’ s how wars crumble us
I now tell those who are exhausted from the expense
of children the secret of happiness and happiness itself
I would drive the pre-dawn dark to stake
my spot to fish for dinner, to numb my hands in the ice
bucket, to pluck, from the neat stack, a herring,
to fit the skullcap and pierce the eye with a toothpick,
the body double-hooked, my fingertips glimmering
with the scales of the dead while the line whined free
from the reel, and the bait arced out over the tidal current
on a point in view of the town where I lived,
They took my body to the forest
They asked me to climb a ladder
I did not want to climb a ladder
But they forced me to climb the ladder
If you don’ t climb the ladder
we will bury you in the foamy mud
I had to decide: should I die
by hanging or by burial
I climbed the ladder and they wrapped
a belt around the thick limb of a tree
And then when I could no longer breathe
they tossed me into a stream
And I floated to the edge of the village
where someone prayed for my soul
Bubblegum lip gloss kissed, Our lifelines, our mirrors,
I was never a singkil princess These are Luminous Mysteries —
Knuckle cracking, polished toes, Our notebooks, our language,
I was never a Santacruzan queen To witness, to make way,
Black eyeliner, push up bra Our thirst and our wedding bands —
I was never a curtsying debutante To fill stone jars with water, to wed,