They landed and could
see nothing but
meadows and tall
trees —
cypress, nearly three
fathoms about at the
roots,
rising straight for
sixty or eighty feet
without a branch.
In the woods were
cedars, oaks, and
walnut trees;
some beech, some elm,
Lilacs look neon in fading light.
Death makes life shine:
a tiredness, a flickering between
ages, which is each age;
a piling up to tottering
and falling back to sand.
So much for cycle. The front door lock
sticks each fall when we’ re first back.
We are advised to oil it.
Olive oil in the keyhole:
again the old key turns.
Once again to meander
along the edge of water,
whether tideless sea or tidal river,
pushing the stroller, dreaming
Sweet smell of phlox drifting across the lawn —
an early warning of the end of summer.
August is fading fast, and by September
the little purple flowers will all be gone.
Season, project, and vacation done.
One more year in everybody’ s life.
Add a notch to the old hunting knife
Time keeps testing with a horny thumb.
Over the summer months hung an unspoken
aura of urgency. In late July
galactic pulsings filled the midnight sky
like silent screaming, so that, strangely woken,
inside my head
Inside my head a common room,
a common place, a common tune,
a common wealth, a common doom
inside my head. I close my eyes.
The horses run. Vast are the skies,
and blue my passing thoughts’ surprise
inside my head. What is this space
here found to be, what is this place
if only me? Inside my head, whose face?
the tools
Petrarch dreams of pebbles
on the tongue, he loves me
at a distance, black polished stone
skipping the lake that swallows
worn-down words, a kind of drown
and drench and quench and very kind
to what I would've said. Light marries
water and what else (unfit
for drinking purposes), light lavishes
my skin on intermittent sun. (I am weather
and unreasonable, out of all
season. Petrarch loves my lies
The obvious is difficult
To prove. Many prefer
The hidden. I did, too.
I listened to the trees.
They had a secret
Which they were about to
Make known to me,
And then didn’ t.
Summer came. Each tree
On my street had its own
Scheherazade. My nights
Were a part of their wild
Storytelling. We were
Entering dark houses,
More and more dark houses
Hushed and abandoned.
There was someone with eyes closed
On the upper floors.
The thought of it, and the wonder,
Kept me sleepless.
Through the branches of the Japanese cherry
Blooming like a cloud which will rain
A rain white as the sun
The living room across the roadway
Cuts its square of light
And in it fight
Two figures, hot, irate,
Stuck between sink and sofa in that golden cage.
Come out into the night, walk in the night,
It is for you, not me.
The cherry flowers will rain their rain as white
Cool as the moon.
Listen how they surround.
You swing among them in your cage of light.
How fresh, oh Lord, how sweet and clean
Are thy returns! even as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasure bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky;
The dew shall weep thy fall to-night,
For thou must die.
Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.
I
Once I had 1000 roses.
Literally 1000 roses.
I was working for a florist
back in the shambling ‘Thirties
when iced skids of 250 roses
sold for $2 at Faneuil Hall.
So for $8 I bought
1000 roses, 500
white and 500 red,
for Connie’ s wedding to steadiness.
