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The house was just twinkling in the moon light,
And inside it twinkling with delight,
Is my baby bright.
Twinkling with delight in the house twinkling
with the moonlight,
Bless my baby bless my baby bright,
Bless my baby twinkling with delight,
In the house twinkling in the moon light,
Her hubby dear loves to cheer when he thinks
and he always thinks when he knows and he always
knows that his blessed baby wifey is all here and he

This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don’ t have it.
You miss it, it misses you. You miss each other.

The poem is sad because it wants to be yours, and cannot.
What’ s a plain level? It is that and other things,
Bringing a system of them into play. Play?
Well, actually, yes, but I consider play to be

"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest

Disarmed with so genteel an air,
The contest I give o’ er;
Yet, Alexander, have a care,
And shock the sex no more.
We rule the world our life’ s whole race,
Men but assume that right;
First slaves to ev’ ry tempting face,
Then martyrs to our spite.
You of one Orpheus sure have read,
Who would like you have writ
Had he in London town been bred,

1. The Winter: 1748
— Erasmus Darwin, 1731-1802

A little satin like wind at the door.
My mother slips past in great side hoops,
arced like the ears of elephants
on her head a goat-white wig,
on her cheek a dollop of mole.

I gave you sorrow to hang on your wall
Like a calendar in one color.
I wear a torn place on my sleeve.
It isn't as simple as that.

Between no place of mine and no place of yours
You'd have thought I'd know the way by now
Just from thinking it over.
Oh I know
I've no excuse to be stuck here turning
Like a mirror on a string,
Except it's hardly credible how
It all keeps changing.
Loss has a wider choice of directions
Than the other thing.

Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd —
The little dogs under their feet.

Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.

as if it were a scene made-up by the mind,
that is not mine, but is a made place,

that is mine, it is so near to the heart,
an eternal pasture folded in all thought
so that there is a hall therein

that is a made place, created by light
wherefrom the shadows that are forms fall.

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens