Through the branches of the Japanese cherry
Blooming like a cloud which will rain
A rain white as the sun
The living room across the roadway
Cuts its square of light
And in it fight
Two figures, hot, irate,
Stuck between sink and sofa in that golden cage.
Come out into the night, walk in the night,
It is for you, not me.
The cherry flowers will rain their rain as white
Cool as the moon.
Listen how they surround.
You swing among them in your cage of light.
I
My black face fades,
hiding inside the black granite.
I said I wouldn't
dammit: No tears.
I'm stone. I'm flesh.
My clouded reflection eyes me
like a bird of prey, the profile of night
slanted against morning. I turn
this way — the stone lets me go.
I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do, — harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
I cannot change, as others do,
Though you unjustly scorn;
Since that poor swain, that sighs for you
For you alone was born.
No, Phyllis, no, your heart to move
A surer way I’ ll try:
And to revenge my slighted love,
Will still love on, will still love on, and die.
All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv’ n o’ er,
Whose images are kept in store
By memory alone.
The time that is to come is not;
How can it then be mine?
The present moment’ s all my lot;
And that, as fast as it is got,
Phyllis, is only thine.
I swive as well as others do,
I’ m young, not yet deformed,
My tender heart, sincere, and true,
Deserves not to be scorned.
Why Phyllis then, why will you swive,
With forty lovers more?
Can I (said she) with Nature strive,
Alas I am, alas I am a whore.
Were all my body larded o’ er,
With darts of love, so thick,
That you might find in ev’ ry pore,
A well stuck standing prick;
Why dost thou shade thy lovely face? O why
Does that eclipsing hand of thine deny
The sunshine of the Sun’ s enlivening eye?
Without thy light what light remains in me?
Thou art my life; my way, my light’ s in thee;
I live, I move, and by thy beams I see.
Thou art my life-if thou but turn away
My life’ s a thousand deaths. Thou art my way-
Without thee, Love, I travel not but stray.
My light thou art-without thy glorious sight
My eyes are darken’ d with eternal night.
My Love, thou art my way, my life, my light.
