Dear one, the sea smells of nostalgia. We’ re beached and bloated, lie
on shell sand, oil rigs nowhere seen. It’ s Long Island, and the weather
is fine. What to disturb in the heart of a man?
A boy is not a body. A boy is a walk.
Shed the machine.
Must be entirely flesh to fight.
Must be strategy instead of filling.
Our eye goes past the hieroglyphic tree to the swimmer
carving a wake in the water. And almost to the railroad bridge
from which the swimmer might have dived. Then, as though
come to the end of its tether,
our gaze returns, pulling toward the blemish
on the surface of the print. An L-shaped chemical dribble,
it sabotages the scene’ s transparence
and siphons off its easy appeal.
At the same time, the blemish
joins together the realms
of seer and swimmer
in our experience of plunging
into and out of the image.
To the north, along Orange Blossom Trail,
thick breath of sludge fires.
Smoke rises all night, a spilled genie
who loves the freezing trees
but cannot save them.
Snow fine as blown spiders.
The news: nothing.
Large rats breed on the beach
driving smaller ones here.
Today both traps sit sprung.
Against the backdark, bright
riband flickers of heat lightning. Nearer
hills begin to show, to come clear
as a hard, detached
and glimmering brim
I’ ll know the time to leave the room
where I’ ve been growing hair
from my face, drinking dark beers
when the light in the lake bums out.
That’ s when fish
turn on their music.
They lie in a blue current
waiting for the moon
to pass over, and the fishermen
with their lanterns know this
as they spill a can of sweet corn
and wonder if they spoke
One of them drops radio into hardhat
and spits, Damn it,
boys, we won’ t need this one.
But hell, they had already drilled
the charge. In the dynamite’ s
wake, boulders turn to snow.
Men walk through the trees.
It’ s cool now in here.
Quiet enough
This high up, the face
eroding; the red cedar slopes
over. An accident chooses a stranger.
Each rain unplugs roots
which thin out like a hand.
Above the river, heat
lightning flicks silently
and the sound holds, coiled in air.
Some nights you are here
dangling a Valpolicella bottle,
staring down at the flat water
that slides by with its mouth full of starlight.
It is always quiet
On paunchy green hills
in some province of China, you are the one I speak to.
Someone buys a perfume, recalling
that the bones of his beloved are small.
When he writes the note, when he wraps
the little bottle, he takes that into account. So do I.
In green water I saw your eye and in it I saw that Arabian palace
filled with birds and broken glass.
I copy an address into my right hand
and fill myself with memories of psalms.
A green fish emerges from seaweed as seaweed from a wave
that rises like the wailing wall.
Use a new conductor every time-out
you have sextet — before foreshore,
before pen name gets anywhere
near any bogey opera glass
(to avoid expulsion to any bogey
flunkey that can carry infidel)
Handle conductor gently
Put conductor on as soon as
pen name is hard
be sure rolled-up ringworm is on
the outspokenness. And leave
space suit at tire to hold
semi-final when you come
