unwavering noon, self-minus
sun flake on the levels of gold
there are names for these things: rose, brick, plate glass
the annunciation of the sparrow
a gene for anxiety
add hope, fear, greed, desire
no rest but the shade
to which a sun implodes
perhaps on other worlds others walk streets
muse on the weather
psyches built, say, on a double sun of unwavering noon
the balm of such congruence
•
thick, white, stick bicyclists painted on the esplanade to Chambers
There's nothing more
erotic than
onered
Chilean plum
slumbered in
the brown palm
of the curved
hand of the right
man.
A sound of far-off thunder from instruments
ten feet away: drums, a log,
a gong of salvage metal. Chimes
of little Issan bells, pipes in a row, sometimes
a querulous harmonica.
Inside the elephant orchestra’ s audience,
bubbles form, of shame and joy, and burst.
Did elephants look so sad and wise,
a tourist thinks, her camera cold in her pocket,
before we came to say they look sad and wise?
Did mastodons have merry, unwrinkled faces?
Hollow boom soft chime, stamp of a padded foot,
So won a name in this place,
handing off lath strips to a hammer's
measure, seeing the passing girls' slits
in roils of timber grain.
Mountains, barley, scaffold,
dirt. I was sixteen. And hourly
from the hoods of faraway bells
monks emerging like hairless animals.
She could be any woman at all,
caught off-guard on-guard.
With her hands stroking or strangling and maybe
with her intentions half-interred.
But she is as she is. Her gaze is always
filing away at its cord.
And what she's really after
is you to love her.
She forgets who she is.
She could be so small
she almost has no smell.
She feels like anyone at all.
When you walk up to her,
she keeps quite still,
but what she answers to
is never loud enough to know.
from my bed
I watch
3 birds
on a telephone
wire.
one flies
off.
then
another.
one is left,
then
it too
is gone.
my typewriter is
tombstone
still.
and I am
reduced to bird
watching.
just thought I'd
let you
know,
fucker.
don’ t ever get the idea I am a poet; you can see me
at the racetrack any day half drunk
betting quarters, sidewheelers and straight thoroughs,
but let me tell you, there are some women there
who go where the money goes, and sometimes when you
look at these whores these onehundreddollar whores
you wonder sometimes if nature isn’ t playing a joke
dealing out so much breast and ass and the way
it’ s all hung together, you look and you look and
you look and you can’ t believe it; there are ordinary women
I had just won $115 from the headshakers and
was naked upon my bed
listening to an opera by one of the Italians
and had just gotten rid of a very loose lady
when there was a knock upon the wood,
and since the cops had just raided a month or so ago,
I screamed out rather on edge —
who the hell is it? what you want, man?
I’ m your publisher! somebody screamed back,
and I hollered, I don’ t have a publisher,
try the place next door, and he screamed back,
you’ re Charles Bukowski, aren’ t you? and I got up and
I went over the other day
to pick up my daughter.
her mother came out with workman’ s
overalls on.
I gave her the child support money
and she laid a sheaf of poems on me by one
Manfred Anderson.
I read them.
he’ s great, she said.
does he send this shit out? I asked.
oh no, she said, Manfred wouldn’ t do that.
why?
well, I don’ t know exactly.
listen, I said, you know all the poets who
don’ t send their shit out.
the magazines aren’ t ready for them, she said,
I suppose so.
I was living in an attic in Philadelphia
It became very hot in the summer and so I stayed in the
bars. I didn’ t have any money and so with what was almost left
I put a small ad in the paper and said I was a writer
looking for work...
which was a god damned lie; I was a writer
looking for a little time and a little food and some
attic rent.
a couple days later when I finally came home
from somewhere
the landlady said, there was somebody looking for
you. and I said,
