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In the Goddess’s Name I Summon You...

Oil on limbs,
maybe a rancid smell
as on the chapel’ s
oil-press here,
as on the rough pores
of the unturning stone.

Oil on hair
wreathed in rope
and maybe other scents
unknown to us
poor and rich
and statuettes offering
small breasts with their fingers.

Oil in the sun
the leaves shuddered
when the stranger stopped
and the silence weighed
between the knees.
The coins fell:
‘In the goddess’ s name I summon you...’

Letter of Mathios Paskalis

The skyscrapers of New York will never know the coolness that comes down on Kifisia
but when I see the two cypress trees above your familiar church
with the paintings of the damned being tortured in fire and brimstone
then I recall the two chimneys behind the cedars I used to like so much when I was abroad.

Spring A. D.

Again with spring
she wore light colours
and with gentle steps
again with spring
again in summer
she was smiling.

Among fresh blossoms
breast naked to the veins
beyond the dry night
beyond the white old men
debating quietly
whether it would be better
to give up the keys
or to pull the rope
and hang from the noose
to leave empty bodies
there where souls couldn’ t endure
there where the mind couldn’ t catch up
and knees buckled.

The Companions in Hades

Since we still had some hardtack
how stupid of us
to go ashore and eat
the Sun’ s slow cattle,

for each was a castle
you’ d have to battle
forty years, till you’ d become
a hero and a star!

On the earth’ s back we hungered,
but when we’ d eaten well
we fell to these lower regions
mindless and satisfied.

City of Grace

City of Grace, you open,
you part your curtains
and smile like a hostess
when we call your name,
you tender what any traveler needs,
a call to ease, a balm,
a kindness, whatever storm.
You take us in. City of Grace
and Benevolence, you say
you know what solace means,
burned so often they called you
Chimneyville, and now
you can't forget,
you've written it in bronze
outside the City Hall
the War made a hospital
for the Yankee
and for your Rebel sons,

The Second Person

Afternoon burns everything off Franklin Street.
Even the birds, even the flies.

Or iced-tea sugar and chicken grease weigh everyone
into a doze, all indoors, in a cool

they said would never come eighty years ago
when this was still the center of business

and the civilized left these high hours to the dogs,
ice in a highball, and let each house

The Small Birds of Sound

When they come
filling the yard with their overheard,

broke-glass catastrophes of voice,
overcrowded party line,

he lets the screen door clap
to see them plume

the settle back to the fence,
aftershocks of crowd and wail.

When they come
he says again he was home at breakfast

radio preacher doing love thy neighbor
and then the bomb,

just ask the wife.
The silence

in the TV's cathode glow
slowly fills with questions

as starlings shutter light
then weigh the lines, voices

Getting the Child to Bed

Getting the child to bed is awful work,
Committing that rage to sleep that will not sleep.
The lie rots in my throat saying, “O. K.
There is balm in Gilead. Go to bed.
Honey of generation has betrayed us both.”
And truly it is no wild surmise of darkness
Nor Pisgah purview of Canaan drowned in blood
But only my child saying its say in bed.

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