Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
I don't know how it happened, but I fell —
and I was immense, one dislocated arm
wedged between two buildings. I felt some ribs
had broken, perhaps a broken neck, too;
I couldn't speak. My dress caught bunched
about my thighs, and where my glasses shattered
there'd spread something like a seacoast, or maybe
The castle clock had tolled midnight:
With mattock and with spade,
And silent, by the torches’ light,
His corse in earth we laid.
The coffin bore his name, that those
Of other years might know,
When earth its secrets should disclose,
Whose bones were laid below.
I have been cherish’ d and forgiven
By many tender-hearted,
’ Twas for the sake of one in Heaven
Of him that is departed.
Because I bear my Father’ s name
I am not quite despised,
My little legacy of fame
I’ ve not yet realized.
These days are best when one goes nowhere,
The house a reservoir of quiet change,
The creak of furniture, the window panes
Brushed by the half-rhymes of activities
That do not quite declare what thing it was
Gave rise to them outside. The colours, even,
Accord with the tenor of the dayyes, ‘grey’
You will hear reported of the weather,
But what a grey, in which the tinges hover,
About to catch, although they still hold back
The blaze that's in them should the sun appear,
And yet it does not. Then the window pane
All afternoon the shadows have been building
A city of their own within the streets,
Carefully correcting the perspectives
With dark diagonals, and paring back
Sidewalks into catwalks, strips of bright
Companionways, as if it were a ship
This counter-city. But the leaning, black
Enjambements like ladders for assault
Scale the façade and tie them to the earth,
Confounding fire-escapes already meshed
In slatted ambiguities. You touch
The sliding shapes to find which place is which
Three jets are streaking west:
Trails are beginning to fray already:
The third, the last set out,
Climbs parallel a March sky
Paying out a ruled white line:
Skywriting like an incision,
Such surgical precision defines
The mile between it and the others
Who have disappeared leaving behind
Only their now ghostly tracks
That still hold to the height and map
They say it is waiting for more, the snow
Shrunk up to the shadow-line of walls
In an arctic smouldering, an unclean salt,
And will not go until the frost returns
Sharpening the stars, and the fresh snow falls
Piling its drifts in scallops, furls. I say
Snow has left its own white geometry
To measure out for the eye the way
The land may lie where a too cursory reading
By now the snow is easing
the live nerves of the wire fence
and the firs,
softening the distances it falls through,
laying down a rightness,
as in the spackled whites,
the woodgrains of a room’ s hush
before music,
before a lush legato in whose unctions
the excruciations ease,
as in the first
My daughter made drawings with the pens you sent,
line drawings that suggest the things they represent,
different from any drawings she — at ten — had done,
closer to real art, implying what the mind fills in.
For her mother she made a flower fragile on its stem;
for me, a lion, calm, contained, but not a handsome one.
She drew a lion for me once before, on a get-well card,
and wrote I must be brave even when it’ s hard.
