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I’ m not interested in sadness,
just a yard as elder earth,
a library of sunflowers
battered by the night’ s rain.
When sliced wide, halved at dawn,
I can see how you exist,
O satellite town, your bright possibility
born again in drywall
and the diary with the trick lock.
Hardly held, for years I slept
with my window wide open,
wanting screen-cut threads of rain.
Blind suburb, dear untruth,
you who already know what I mean
when I praise every spared copse,
you were my battery, my sad clue,

Despite the geologists’ knowledge and craft,
mocking magnets, graphs, and maps —
in a split second the dream
piles before us mountains as stony
as real life.

And since mountains, then valleys, plains
with perfect infrastructures.
Without engineers, contractors, workers,
bulldozers, diggers, or supplies —
raging highways, instant bridges,
thickly populated pop-up cities.

Without directors, megaphones, and cameramen —
crowds knowing exactly when to frighten us
and when to vanish.

“Even Duccio can’ t match
Giotto’ s stage management of great tragedy”:
Transgendered Professor Y. in leather miniskirt
paces before the screen, wood pointer
scraping saint faces, slapping
hunched women of the Lamentation.
Blue-gold tumult of the chapel walls.
After-lunch lecture hall heat.
You’ re in that class with me. We go on
from there — not long. You do The Waste Land
in different voices — Come in under the shadow
of this red rock — Strom Thurmond, Aussie
bartender, Cantonese. HURRY UP PLEASE

The forest is the only place
where green is green and blue is blue.
Walking the forest I have seen
most everything. I’ ve seen a you
with yellow eyes and busted wing.
And deep in the forest, no one knew.

There was a church in Umbria, Little Portion,
Already old eight hundred years ago.
It was abandoned and in disrepair
But it was called St. Mary of the Angels
For it was known to be the haunt of angels,
Often at night the country people
Could hear them singing there.

The motion of gathering loops of water
Must either burst or remain in a moment.
The violet colors through the glass
Throw up little swellings that appear
And spatter as soon as another strikes
And is born; so pure are they of colored
Hues, that we feel the absent strength
Of its power. When they begin they gather
Like sand on the beach: each bubble
Contains a complete eye of water.

Sent in after new ground was taken,
my father ducked from ditch to shell-hole,
unwinding the telephone cable behind him,
a pfc. cast as Mercury, connecting
the gods with the lesser gods.

Funny to think of him trailing
the complex filament of speech,
that man, neither shy nor sullen,
who answered only “Yes,” “No,” “Maybe,”
and never volunteered a private thought.

Now that I know
That passion warms little
Of flesh in the mold,
And treasure is brittle,

I’ ll lie here and learn
How, over their ground,
Trees make a long shadow
And a light sound.

August 1922

This poem originally appeared in the September 1988 issue of Poetry. See it in its original context.