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I speak this poem now with grave and level voice
In praise of autumn, of the far-horn-winding fall.

I praise the flower-barren fields, the clouds, the tall
Unanswering branches where the wind makes sullen noise.

Señora, it is true the Greeks are dead.

It is true also that we here are Americans:
That we use the machines: that a sight of the god is unusual:
That more people have more thoughts: that there are

Progress and science and tractors and revolutions and
Marx and the wars more antiseptic and murderous
And music in every home: there is also Hoover.

Think of our blindness where the water burned!
Are we so certain that those wings, returned
And turning, we had half discerned
Before our dazzled eyes had surely seen
The bird aloft there, did not mean? —
Our hearts so seized upon the sign!

You, my friends, and you strangers, all of you,
Stand with me a little by the walls
Or where the walls once were.
The bridge was here, the city further:
Now there is neither bridge nor town —
A doorway where the roof is down
Opens on a foot-worn stair
That climbs by three steps into empty air.
(What foot went there?)
Nothing in this town that had a thousand steeples

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’ s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread

What are days for?
Days are where we live.
They come, they wake us
Time and time over.
They are to be happy in:
Where can we live but days?

Ah, solving that question
Brings the priest and the doctor
In their long coats
Running over the fields.

When I see a couple of kids
And guess he’ s fucking her and she’ s
Taking pills or wearing a diaphragm,
I know this is paradise

Everyone old has dreamed of all their lives —
Bonds and gestures pushed to one side
Like an outdated combine harvester,
And everyone young going down the long slide

Love again: wanking at ten past three
(Surely he’ s taken her home by now?),
The bedroom hot as a bakery,
The drink gone dead, without showing how
To meet tomorrow, and afterwards,
And the usual pain, like dysentery.

Come To Sunny Prestatyn
Laughed the girl on the poster,
Kneeling up on the sand
In tautened white satin.
Behind her, a hunk of coast, a
Hotel with palms
Seemed to expand from her thighs and
Spread breast-lifting arms.

They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another’ s throats.