The same to me are sombre days and gay.
Though joyous dawns the rosy morn, and bright,
Because my dearest love is gone away
Within my heart is melancholy night.
My heart beats low in loneliness, despite
That riotous Summer holds the earth in sway.
In cerements my spirit is bedight;
The same to me are sombre days and gay.
This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don’ t have it.
You miss it, it misses you. You miss each other.
The poem is sad because it wants to be yours, and cannot.
What’ s a plain level? It is that and other things,
Bringing a system of them into play. Play?
Well, actually, yes, but I consider play to be
1. The Winter: 1748
— Erasmus Darwin, 1731-1802
A little satin like wind at the door.
My mother slips past in great side hoops,
arced like the ears of elephants
on her head a goat-white wig,
on her cheek a dollop of mole.
I gave you sorrow to hang on your wall
Like a calendar in one color.
I wear a torn place on my sleeve.
It isn't as simple as that.
Between no place of mine and no place of yours
You'd have thought I'd know the way by now
Just from thinking it over.
Oh I know
I've no excuse to be stuck here turning
Like a mirror on a string,
Except it's hardly credible how
It all keeps changing.
Loss has a wider choice of directions
Than the other thing.
as if it were a scene made-up by the mind,
that is not mine, but is a made place,
that is mine, it is so near to the heart,
an eternal pasture folded in all thought
so that there is a hall therein
that is a made place, created by light
wherefrom the shadows that are forms fall.
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens
Through the branches of the Japanese cherry
Blooming like a cloud which will rain
A rain white as the sun
The living room across the roadway
Cuts its square of light
And in it fight
Two figures, hot, irate,
Stuck between sink and sofa in that golden cage.
Come out into the night, walk in the night,
It is for you, not me.
The cherry flowers will rain their rain as white
Cool as the moon.
Listen how they surround.
You swing among them in your cage of light.
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
I am merely posing for a photograph.
Remember, when the Nomenclature
stops you, tell them that — “Sirs, he was posing
for my camera, that is all.”... yes, that may just work.
In the cannery the porpoise soul
& the shadow fins of spirit boats lie awake
the hundred hooks & flying reels
one harpoon
& the silver fleshing in the nets
the mayor is waiting/counting scales
dreaming new quotas & tuna coasts
(under the table blood & payrolls
swim to the shores on a crucifix of oil)
in the cannery the porpoise soul
steals a dagger for the engines throat
tuna fins etch an X
on the green stone of the ships floor
